The Coen brothers’ funniest film is a scene-to-scene blast, expertly folding an endless array of visual jokes and verbal gags into an absurdly convoluted plot that casts Jeff Bridges's unemployed, eternally stoned Los Angeles bowling bum Jeff “The Dude” Lebowski as a loser Philip Marlowe.

Boyle’s adaptation of Irvine Welsh’s novel about heroin addicts in Edinburgh managed not just to become a hit movie stateside but spawn an iconic cultural moment.

Terry Gilliam balances tragedy and comedy, fantasy and realism, romance and adventure, in this extremely early-’90s tale of a disgraced radio shock jock (Jeff Bridges) who finds redemption.

This wildly funny, sophisticated vehicle for Murphy’s too-infrequently tapped skills as a romantic leading man was among the biggest hits of 1992, and all but set the template for the modern-day Black romantic comedy. 

Jane Schoenbrun’s follow-up to the visionary We’re All Going to the World’s Fair ups the ante on suburban angst, creating an eerily beautiful metaphorical evocation of the trans experience and the ways in which popular culture and media both comfort and betray us. Screening 6/21–6/30.

Jane Schoenbrun’s follow-up to the visionary We’re All Going to the World’s Fair ups the ante on suburban angst, creating an eerily beautiful metaphorical evocation of the trans experience and the ways in which popular culture and media both comfort and betray us. Screening 6/21–6/30.

Jane Schoenbrun’s follow-up to the visionary We’re All Going to the World’s Fair ups the ante on suburban angst, creating an eerily beautiful metaphorical evocation of the trans experience and the ways in which popular culture and media both comfort and betray us. Screening 6/21–6/30.

Jane Schoenbrun’s follow-up to the visionary We’re All Going to the World’s Fair ups the ante on suburban angst, creating an eerily beautiful metaphorical evocation of the trans experience and the ways in which popular culture and media both comfort and betray us. Screening 6/21–6/30.

Called “the great American documentary” by Roger Ebert, and routinely listed among the all-time best films, Hoop Dreams is an intimate epic that follows two talented young men over six life-shaping years.

The kind of mischievous Hollywood entertainment we wish we saw more often today and is among the most inspired cult comedies of its decade.

Jane Schoenbrun’s follow-up to the visionary We’re All Going to the World’s Fair ups the ante on suburban angst, creating an eerily beautiful metaphorical evocation of the trans experience and the ways in which popular culture and media both comfort and betray us. Screening 6/21–6/30.

Three years before The Matrix transformed the aesthetic of action cinema forever, the Wachowskis burst onto the scene with this gripping, intensely physical neonoir.