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Behind the Screen - Tut's

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Two people stand in front of a creature with a human face made of water, one pointing her finger at it
Recurring

The Abyss: Special Edition

James Cameron has re-released his beloved underwater sci-fi adventure in a newly restored, remastered version of the acclaimed extended director’s cut screens 4/28, 5/3, and 5/5.

Three people sit in a grim, sickly-colored room in three separate chairs facing thwe camera, with a glowing clock that maybe reads 4:00 on the wall behind them; two men are on either side of a woman, who sits in then middle with her head back in exasperation and holds a pushbroom.

New York Arab Festival 2024 Shorts Program

From magical realism to sharp critiques of the present, these short films invite us into the alluring world of contemporary Arab cinema, an industry as diverse as the 22 countries that make up the Arab world.

A man in a hooded coat turns to the camera while sitting in a car

Carter Burwell on Fargo 

The audacious blend of Midwestern understatement and violent mayhem in Joel and Ethan Coen's Fargo is perfectly captured by Carter Burwell’s lean but unforgettable score. On 4/14, the Oscar-nominated composer will appear in person to discuss his score and his career.

Two women wearing hajibs hug each other while standing on a rooftop, in front of a triangular window, through which we can see a vast mountainous landscape at dusk.

Q

This documentary depicts a secretive matriarchal religious order’s insidious influence on three generations of women in the Chehab family in Lebanon. A Q&A with producer and editor Fahd Ahmed will follow the screening on 4/14. 

A cartoon frog dancing with a cane and top hat, mouth open smiling at camera.
Recurring

Classic Warner Bros. Cartoons 

This selection of Looney Tunes and Merrie Melodies classics directed by Chuck Jones, Friz Freleng, Art Davis, and Bob Clampett spans the breadth of Warner Bros. Cartoons’ output during the post-WWII years. Screening 4/5, 4/7, and 4/19.

An extreme closeup of a woman looking in a mirror and the camera with a blank expression
Recurring

The Sweet East

Nothing is sacred in the knockabout feature directorial debut of acclaimed cinematographer Sean Price Williams and critic-turned-screenwriter Nick Pinkerton, screening in 35mm.

A man in a hooded coat turns to the camera while sitting in a car

Fargo

This dark comedy about a botched kidnapping in rural Minnesota that turns into a triple homicide is the quintessential Joel and Ethan Coen movie.