Search Museum of the Moving Image

Please be advised: the Museum will be open on Wednesday, June 19, 12:00–6:00 p.m. for the Juneteenth holiday.


Behind the Screen - Tut's


You can buy admission tickets online. Pick a date and time to visit the Museum. Timed-entry slots are released generally one-month prior. All sales are final and payments cannot be refunded.


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Maya Deren: Choreographed for Camera

Mark Alice Durant, author of the book Maya Deren: Choreographed for Camera, will present a program exploring Deren’s life and work on 4/22.

New York Arab Festival Short Film Program

This year's program reflects the diverse voices from contemporary Arab filmmakers based in the U.S. or in the larger diaspora who create works that challenge how the region has historically been mapped, presented, and represented.

The Wrong Guy Special Reunion Screening

On 9/3, join us for a special screening of the out-of-print underground comedy classic, which deliriously mixes Hitchcock homage, inspired absurdism, class-conscious parody, and rapid-fire wit, calling to mind its creators and stars' work on The Kids in the Hall, The Simpsons, and SCTV—with Dave Foley, David Higgins, and Jay Kogen in a post-film discussion, moderated by Janeane Garofalo!

No Budget Story

Haralambidis’s debut film, winner of the prestigious FIPRESCI prize at the Istanbul Film Festival, is a refreshing look at Athenian culture at the end of the century.

The Heart of the Beast

Based on a best-selling novel by Petros Tatsopoulos, the film moves between detective film noir, bittersweet comedy, and poetic cinema.

Cheap Smokes

In the most autobiographical of Renos Haralambidis’s films, Nikos, struggling with work, romance, and finding meaningful purpose in life, roams the streets of Athens on a warm summer night looking for love and questioning his existence.

Hollow Tree

At a time of severe environmental crisis, three teenagers come together to face the climate reality in their home state of Louisiana. This special presentation on 11/3 will be followed by a discussion between director Kira Akerman and landscape architect Kate Orff (SCAPE), moderated by filmmaker Kirsten Johnson.