You can buy admission tickets online. Pick a date and time to visit the Museum. Timed-entry slots are released generally one-month prior. All sales are final and payments cannot be refunded.
One of the most purely entertaining films legendary director Samuel Fuller made for indie producer Robert Lippert, The Baron of Arizona was shot by James Wong Howe during a fallow period of his career for a small fraction of his normal salary, and his chiaroscuro, hushed tones, and focus on interiority defines a film that elides the outdoor grandiosity aimed for in so many B westerns.
A fiendishly fun horror comedy with an enduring cult status, offering an entirely different take on the zombie film from its predecessors.
On June 26, Sofia Coppola’s singular debut feature, introduced by Hannah Strong, author of Sofia Coppola: Forever Young, followed by a book signing.
As part of our ongoing series on cinematographer James Wong Howe, Herbert Brenon’s rarely screened, magical silent adaptation of J. M. Barrie’s 1904 stage play will show on June 25 with live piano accompaniment by Makia Matsumura!
A fiendishly fun horror comedy with an enduring cult status, offering an entirely different take on the zombie film from its predecessors.
James Wong Howe, nominated for an Oscar for his work, shot in black-and-white and used misshapen lenses to create a surreal atmosphere as Arthur Hamilton’s dream of a new life turns into a waking nightmare.
A newly restored, Santo vs. the Evil Brain marks the cinematic debut of El Santo (Rodolfo Guzmán Huerta), the most famous and iconic of all Mexican luchadores.
The latest film from David Cronenberg is a return to the speculative body horror of the Canadian auteur’s early career, showing July 1–9.
The latest film from David Cronenberg is a return to the speculative body horror of the Canadian auteur’s early career, showing July 1–9.
Marks the reunion of Romero and special effects legend Tom Savini, and together they deliver a picture that pushes the envelope on every level, from body-munching gore to biting social critique.
Audrey Diwan's brilliant and searing drama about illegal abortion in France in the 1960s, winner of the Golden Lion at the 2021 Venice Film Festival, plays June 11, 18 & 24.
Craig Shemin and puppet designer and builder Bonnie Erickson, will introduce this rarely seen 1972 gem and clip show on July 2 and 8.