Tut’s Fever Movie Palace
Tut’s Fever is a working movie theater and art installation created by Red Grooms and Lysiane Luong, an homage to the ornate, exotic picture palaces of the 1920s
CALENDAR
GENERAL ADMISSION
You can buy admission tickets online. Pick a date and time to visit the Museum. Timed-entry slots are released generally one-month prior. All sales are final and payments cannot be refunded.
Loading view.
All Day
Behind the Screen
Museum of the Moving ImageThe Museum's core exhibition immerses visitors in the creative and technical process of producing, promoting, and presenting films, television shows, and digital entertainment.
The Jim Henson Exhibition
Museum of the Moving ImageThis dynamic experience explores Jim Henson’s groundbreaking work for film and television and his transformative impact on culture.
Horrible Sites: Makeup and Production Design for The Exorcist
With material drawn from MoMI’s permanent collection, this exhibit explores the film’s production and makeup design, detailing how a stylish townhouse in Georgetown, Washington, D.C., and an innocent young girl were transformed into sites of horror.
Reflected Forms: Story and Character in the Films of Todd Haynes
On the occasion of Todd Haynes’s May December, MoMI presents an exhibit with materials from the archives of filmmaker Todd Haynes, now part of the Museum’s collection, offering a glimpse into his process of transforming historical and cultural referents into formally ambitious, richly emotional films.
Auriea Harvey: My Veins Are the Wires, My Body Is Your Keyboard
The first major survey of the pioneering net-artist and sculptor Auriea Harvey features more than 40 of Harvey’s works from her career spanning nearly four decades.
Videofreak
Allen Riley's Videofreak reimagines the arcade game experience by emphasizing the art of video manipulation over traditional gameplay elements like scorekeeping and end goals.
Tide Predictor
Tide Predictor is LoVid’s first code-driven generative artwork, a departure from a majority of their catalog, which centers experimentation with actual analog video. It will be displayed on the Museum's Schlosser Media Wall in the lobby.
Fiona Tan: Footsteps
In this video installation drawn exclusively from films made between 1896 and the late 1920s, Tan pairs mesmerizing moments of people working over a century ago—sewing fishing nets, harvesting wheat, collecting chicken eggs, sorting oysters—with missives from her Australia-based father, read aloud by Scottish actor Ian Henderson.
My Own Yard to Play in
My Own Yard to Play in documents children at play on the streets of Harlem in the late 1950s.
the V01D
Joshua Davis's the V01D is a programmatic artwork capable of generating tens of thousands of visual outputs.
House on Haunted Hill
This fan favorite chiller from gimmick master William Castle, screening 5/17 and 5/19, stars horror icon Vincent Price in one of his most gleefully sinister performances.
Live Code: Real-Time Visual Music Since the 1980s
Don’t miss this panel, part of Open Worlds opening weekend, featuring artists and subject experts who will share insights into the groundbreaking artwork, software, and events that have shaped live code practices.
Notes of an Itinerant Performer
Largely due to its atypical period setting in the late Meiji era and its theme of female self-sacrifice, Shimizu’s film has drawn comparison to similar works by Kenji Mizoguchi.
Dodo
A dodo, a bird extinct for the last 300 years, shows up at the villa of a financially troubled family on the eve of the daughter's advantageous wedding to a wealthy heir.
Children of the Beehive
The most celebrated of Shimizu’s postwar films, screening 5/19, is a momentous work depicting the shattered state of reconstruction-era Japan.
Three Promises
In the early 2000s, Suha begins filming her daily life in Bethlehem as the Israeli army lays siege to the West Bank in retaliation over the second intifada.