You can buy admission tickets online. Pick a date and time to visit the Museum. Timed-entry slots are released generally one-month prior. All sales are final and payments cannot be refunded.
One of six collaborations between director Frank Borzage and ace screenwriter Sonya Levien, After Tomorrow united them with James Wong Howe, whose photography brings a sense of moody, stylized drama to this pre-Code, depression-addled love story.
An atmospheric essay film, Birds of America retraces the steps of famed French ornithologist John James Audubon as he traveled along the Mississippi memorializing with his dramatic paintings a remarkable range of birds, many of which are now extinct.
Inspired by the best-selling Southern Reach Trilogy, Alex Garland’s sci-fi thriller envisions a haunting and beautiful landscape where DNA and biological processes do not abide known rules. Screens May 22.
The Museum is collaborating with creative technology studio Scatter on this project, which reimagines oral storytelling as a virtual, 3D experience and presents new possibilities for the future of the moving image.
Michael Mann's epic yet minutely observed crime drama, among the greatest works of 1990s Hollywood, screens June 5 on 35mm.
Vincent Sherman’s gritty musical melodrama stars Ida Lupino as Helen, a woman hell-bent on escaping poverty by pushing her sister into marriage with a showman and stage stardom.
James Wong Howe’s first directorial feature dramatizes the formation of the Harlem Globetrotters, and features Sidney Poitier: 5/28 & 6/5.
An early classic from animation legends Isao Takahata and Hayao Miyazaki, before they founded Studio Ghibli, this charming panda family film celebrates its 50th anniversary.
A return to the lonely intimacy of the director’s earlier features (Thief, Manhunter), the film is a brooding study in disconnection and inhumanity, traced across a weblike urban landscape. Here, a taxi’s dim interior light reveals characters trapped within their own delusions.
A riveting and twisty thriller set in Nazi-occupied Czechoslovakia, Fritz Lang’s film is loosely based on the real-life assassination of Reinhard Heydrich—”The Hangman of Prague”—and adapted from a story by Bertolt Brecht.
The infamous, real-life story of the quashing of an explosive 60 Minutes segment on Big Tobacco is the basis of Mann’s most urgent and stirring film.
On May 29, Mann’s revival of the trendy 1980s TV series he helped create, a doubling down on the original’s themes of confused identity, extra-national criminality, and undercover blues.