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Behind the Screen - Tut's

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Back to the Future

Powered by Oscar-winning special effects, a catchy pop song by Huey Lewis & the News, and a mind-bending riff on the Oedipal complex, this Reagan-era blockbuster has stood the test of time.

A one-armed man in a black suit and fedora stands on a railroad track in the middle of nowhere against a blue sky

Bad Day at Black Rock

John Sturges’s lean-and-mean CinemaScope color noir featuring a beguiling Spencer Tracy as a no-nonsense man investigating a suspected killing in a tiny California desert town plays 6/10 on 35mm.

A group of people shot from behind stand on a runway as a bright orange light casts their long shadows on the ground
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Close Encounters of the Third Kind

Spielberg's operatic tale of a group of humans (including Dreyfuss’s suburban everydad) preparing to make contact with mysterious outer-space visitors is an emotionally stirring, visually jaw-dropping journey.

A man in a hat since in the desert by the side of a rocky mountain wall, holding his injured leg.

Inferno (3-D)

On 6/11, Kent Jones introduces one of the best films produced during Hollywood’s brief embrace of Technicolor 3-D, Roy Ward Baker’s sunbaked potboiler.

A woman sticks her tongue in another woman's ear in a grainy black and white image
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Nitrate Kisses

Experimental filmmaker Barbara Hammer spent her career charting unknown pathways by inventing a language of cinematic lesbianism, not least of all with this exceptional 1992 work of nonfiction.

A brunette woman with short hair looks out a window

Asteroid City

Wes Anderson's new film in a special free sneak preview.

Two women in white doctor smocks and red shirts, played by the same dark-haired actress, stand side by side, one on the left looking off camera, the one on the right looking at the one on the left with her arms folded.

Dead Ringers

On Tuesday 6/13, see the first two episodes of this acclaimed modern take on David Cronenberg’s 1988 thriller, featuring Rachel Weisz playing the double-lead roles of Elliot and Beverly Mantle, followed by a pre-recorded conversation with Weisz, creator/writer Alice Birch, and director Sean Durkin. 

A group of people shot from behind stand on a runway as a bright orange light casts their long shadows on the ground
Recurring

Close Encounters of the Third Kind

Spielberg's operatic tale of a group of humans (including Dreyfuss’s suburban everydad) preparing to make contact with mysterious outer-space visitors is an emotionally stirring, visually jaw-dropping journey.

A dark haired woman in a red towel looks in a bathroom mirror at an image of a woman on a movie poster

Mulholland Drive

On 6/16, see Lynch’s bleary and bewitching vision of Tinsel Town, a love story about two women whose bond—with all its frustration, eroticism, chemistry, blending, bleeding, and explosive desire—spans the feeling of cinema itself.

A man in glasses holds a microphone stand in a sound-proofed room all drenched in green light
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32 Sounds

A cinematic experience truly unlike any other, 32 Sounds investigates the mysterious nature of perception and the subtle yet radical politics that arise from sensation and being present in one’s body.