All of Me
Released when Steve Martin was at the height of his 1980s stardom, All of Me gave the actor an astonishing showcase for his talents for physical comedy, perfectly paired with Lily Tomlin. Screens 3/9 and 3/10 on 35mm.
CALENDAR
GENERAL ADMISSION
You can buy admission tickets online. Pick a date and time to visit the Museum. Timed-entry slots are released generally one-month prior. All sales are final and payments cannot be refunded.
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The Heartbreak Kid
Snubbed: Charles Grodin Dir. Elaine May. 1972, U.S. 106 mins. 35mm print courtesy of the BFI National Archive. With Charles Grodin, Cybill Shepard, Jeannie Berlin, Eddie Albert, Audra Lindley. May’s gutsy anti-romantic comedy stars a ...
The House of Mirth
Terence Davies’s magnificent adaptation of Edith Wharton’s 1905 novel is a sumptuous triumph all around, yet its beating, battered heart belongs to Gillian Anderson, who miraculously evokes tragic heroine Lily Bart. Encore screening 3/22 on 35mm.
Something Wild
Jonathan Demme was at the height of his madcap powers with this quintessential rollicking eighties comic adventure starring a breakout Melanie Griffith as the maniacally free-spirited Lulu.
The Wedding Banquet
On 3/30 and 3/31, see the breakthrough film in America for Oscar-winning director Ang Lee, the moving, New York–set story of a gay Taiwanese immigrant who marries a woman from China, both to help her procure a green card and to convince his parents that he is straight.
The Wedding Banquet
On 3/30 and 3/31, see the breakthrough film in America for Oscar-winning director Ang Lee, the moving, New York–set story of a gay Taiwanese immigrant who marries a woman from China, both to help her procure a green card and to convince his parents that he is straight.
Henry Fool
Hal Hartley’s rowdy, hilarious literary saga about a depraved wanderer who inspires a shy sanitation worker to write a book-length poem is an unlikely ode to bohemian life. Screening 4/7.
The Sweet East
Nothing is sacred in the knockabout feature directorial debut of acclaimed cinematographer Sean Price Williams and critic-turned-screenwriter Nick Pinkerton, screening in 35mm.
The Sweet East
Nothing is sacred in the knockabout feature directorial debut of acclaimed cinematographer Sean Price Williams and critic-turned-screenwriter Nick Pinkerton, screening in 35mm.
Seven Seas: Chapter 1—Virginity
This harrowing, intricately plotted urban melodrama depicts the disgrace and subsequent revenge of a virtuous young woman from a traditional middle-class household who suffers at the hands of the predatory scion of the wealthy, westernized Yagibashi family.
Seven Seas: Chapter 2—Chastity
Part two of Shimizu's harrowing, intricately plotted urban melodrama depicting the disgrace and subsequent revenge of a virtuous young woman from a traditional middle-class household, who suffers at the hands of the predatory scion of the wealthy, westernized Yagibashi family.
A Hero of Tokyo
In just over an hour of tautly paced, plot-filled action, Shimizu unspools the tragic generational tale of Kenichi, a boy whose backsliding father abandons him.
Japanese Girls at the Harbor
Hiroshi Shimizu’s most celebrated silent film—about the jealousy that ensnares devoted Catholic school mates Sunako and Dora as they both fall for the motorcycle-sporting playboy Henry—screens with live piano accompaniment by Makia Matsumura on 5/4.