Tut’s Fever Movie Palace
Tut’s Fever is a working movie theater and art installation created by Red Grooms and Lysiane Luong, an homage to the ornate, exotic picture palaces of the 1920s
You can buy admission tickets online. Pick a date and time to visit the Museum. Timed-entry slots are released generally one-month prior. All sales are final and payments cannot be refunded.
Tut’s Fever is a working movie theater and art installation created by Red Grooms and Lysiane Luong, an homage to the ornate, exotic picture palaces of the 1920s
The Museum's core exhibition immerses visitors in the creative and technical process of producing, promoting, and presenting films, television shows, and digital entertainment.
This dynamic experience explores Jim Henson’s groundbreaking work for film and television and his transformative impact on culture.
This exhibition explores the process of designing the fantastical characters for the Netflix series prequel to the 1982 film.
In his companion piece installation to The Underground Railroad, Jenkins further engages ideas about visibility, history, and power in moving-image portraits of the show’s background actors.
This new exhibition invites visitors of all ages to appreciate the painstaking work of stop-motion animation, with eight animation stations equipped with 2-D LAIKA character figures and environments that visitors can use to experiment with and create their own short films.
This new temporary exhibition explores the process of creating the story depicted in Chinonye Chukwu’s acclaimed 2022 feature Till, through storyboards created by Jesse Michael Owen.
The material on view in this new exhibition provides a glimpse into the process of bringing the story of Sarah Polley’s film Women Talking to the screen.
This major exhibition brings the immersive, multisensory cinematic installations of visionary Spanish artist, filmmaker, and inventor José Val del Omar (1904–1982) to U.S. audiences for the first time, along with commissioned pieces by contemporary artists Sally Golding, Matt Spendlove, and Tim Cowlishaw; Duo Prismáticas; Esperanza Collado; and Colectivo Los Ingrávidos.
Refreshing the Loop continues Museum of the Moving Image’s tradition of displaying GIFs in our passenger elevator. This new iteration places artists who have been widely known for their GIFs for more than two decades in conversation with selected artists who have gained notable popularity in the last few years.
Pixar's hilarious and compassionate coming-of-age tale screens May 6, 7, and 12.
The teeming diversity of Jackson Heights, and the larger landscape of Queens itself, is the subject of Frederick Wiseman’s acclaimed nonfiction epic, screening at MoMI 5/6 and 5/7.
The summer movie that started it all, this improbable, against-all-odds blockbuster about a New England vacation spot terrorized by a great white shark proved that Spielberg was a force to be reckoned with.
These innovative works of nonfiction screening on 5/6 offer astonishing visuals and a profound ability to capture the essence of place and people.
With a few exceptions, previous James Bond films were the domain of fall and winter, whereas The Spy Who Loved Me, riding the industry-redefining wave created by Jaws, brought Bond to summertime.