Science Goes to the Movies: A Trivia Night with MoMI and Science Friday
Join MoMI and Science Fridays for an evening of trivia! In celebration of Earth Day, answer science and film-themed questions to win Museum passes and memberships.
CALENDAR
GENERAL ADMISSION
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Tori and Lokita
Tori and Lokita is as urgent and timely a statement as the Dardennes have ever given us. Playing at MoMI 4/7–4/15.
Sunrise
One of the great silent masterpieces, this exquisite story of love, marriage, temptation, and the lure of the big city by F. W. Murnau, bursting with glorious visual poetry, screens 4/14–4/16.
Sunrise
One of the great silent masterpieces, this exquisite story of love, marriage, temptation, and the lure of the big city by F. W. Murnau, bursting with glorious visual poetry, screens 4/14–4/16.
Tori and Lokita
Tori and Lokita is as urgent and timely a statement as the Dardennes have ever given us. Playing at MoMI 4/7–4/15.
Kiss of Death (1947)
Henry Hathaway's tough-as-nails crime drama, featuring a terrifying, Oscar-nominated performance by Richard Widmark, plays 4/15 and 4/16.
La région centrale
One of the monumental achievements of avant-garde cinema, this is a three-hour long that Michael Snow shot during a single day atop a remote plateau in Northern Quebec.
Kiss of Death (1995)
Schroeder’s remake of Henry Hathaway’s gritty crime classic, screening 4/15 and 4/16 alongside the original, is somehow both grimmer and sillier, one of the more fascinating genre films of the 1990s.
Sunrise
One of the great silent masterpieces, this exquisite story of love, marriage, temptation, and the lure of the big city by F. W. Murnau, bursting with glorious visual poetry, screens 4/14–4/16.
Kiss of Death (1947)
Henry Hathaway's tough-as-nails crime drama, featuring a terrifying, Oscar-nominated performance by Richard Widmark, plays 4/15 and 4/16.
Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles
On 3/31 and 4/9, see Chantal Akerman’s magnum opus, Sight & Sound's recently crowned greatest film ever made.
Kiss of Death (1995)
Schroeder’s remake of Henry Hathaway’s gritty crime classic, screening 4/15 and 4/16 alongside the original, is somehow both grimmer and sillier, one of the more fascinating genre films of the 1990s.