Mr. Zhang Believes
Qiu’s brilliant fiction-documentary hybrid is based on the life of Zhang Xianchi, a so-called “rightist” persecuted for his unorthodox beliefs.
You can buy admission tickets online. Pick a date and time to visit the Museum. Timed-entry slots are released generally one-month prior. All sales are final and payments cannot be refunded.
Qiu’s brilliant fiction-documentary hybrid is based on the life of Zhang Xianchi, a so-called “rightist” persecuted for his unorthodox beliefs.
Dir. Leo McCarey. 1937, 92 mins. 35mm. With Beulah Bondi, Victor Moore, Thomas Mitchell, Fay Bainter. When McCarey won the Best Director Oscar in 1937 for his sparkling screwball comedy The Awful Truth, he stood ...
Acting legend Charles Laughton’s sole screen directorial credit is perhaps cinema’s most remarkable one-off.
Expressively adapted for the screen by James Whale, this Jerome Kern–Oscar Hammerstein musical, featuring Paul Robeson and Irene Dunne, was considered radical at the time for its serious treatment of race.
On February 4 and 5, see encore screenings of Qiu Jiongjiong's hand-crafted masterwork, an homage to classical Chinese opera.
There’s not a man to be found in Cukor’s dazzlingly witty, razor-sharp comedy released in 1939 and starring Joan Crawford, Rosalind Russell, Norma Shearer, and more.
Acting legend Charles Laughton’s sole screen directorial credit is perhaps cinema’s most remarkable one-off.
On February 4 and 5, see encore screenings of Qiu Jiongjiong's hand-crafted masterwork, an homage to classical Chinese opera.
There’s not a man to be found in Cukor’s dazzlingly witty, razor-sharp comedy released in 1939 and starring Joan Crawford, Rosalind Russell, Norma Shearer, and more.
See Douglas Sirk's Technicolor melodrama masterpiece on 1/27 & 2/5.
This program on 2/5 features two of Iranian artist Maryam Tafakory’s resonant short films, as well as a rarely performed live piece for which there can be no recording or other form of documentation.
Expressively adapted for the screen by James Whale, this Jerome Kern–Oscar Hammerstein musical, featuring Paul Robeson and Irene Dunne, was considered radical at the time for its serious treatment of race.