All That Heaven Allows
See Douglas Sirk's Technicolor melodrama masterpiece on 1/27 & 2/5.
You can buy admission tickets online. Pick a date and time to visit the Museum. Timed-entry slots are released generally one-month prior. All sales are final and payments cannot be refunded.
See Douglas Sirk's Technicolor melodrama masterpiece on 1/27 & 2/5.
Qiu’s remarkable debut is an experimental black-and-white documentary portrait of his father.
This moody and electrifying thriller with Humphrey Bogart and directed by Nicholas Ray, master of the fifties melodrama about troubled masculinity, is among Hollywood’s darkest character studies.
On January 28, artist sTo Len will be in conversation with Assistant Curator of Public Programs Tiffany Joy Butler to discuss his artistic practice of remixing DSNY’s media archives and his residency at the New York Department of Sanitation.
This vibrant portrait of trans performer ‘Bilan de Linphel’ (birth name Fan Qihui) is both intimate and exhilaratingly expansive.
Dir. Leo McCarey. 1937, 92 mins. 35mm. With Beulah Bondi, Victor Moore, Thomas Mitchell, Fay Bainter. When McCarey won the Best Director Oscar in 1937 for his sparkling screwball comedy The Awful Truth, he stood ...
This thoroughly entertaining film is Qiu’s expansive family chronicle, a documentary in the form of an art-folk tale.
Replete with intrigue and hilarious surprises, this classic, beloved farce from Greece's famed Finos Film studio concerns a woman who devises a devilish plan to expose her husband's cheating ways.
Qiu’s brilliant fiction-documentary hybrid is based on the life of Zhang Xianchi, a so-called “rightist” persecuted for his unorthodox beliefs.
Dir. Leo McCarey. 1937, 92 mins. 35mm. With Beulah Bondi, Victor Moore, Thomas Mitchell, Fay Bainter. When McCarey won the Best Director Oscar in 1937 for his sparkling screwball comedy The Awful Truth, he stood ...
Acting legend Charles Laughton’s sole screen directorial credit is perhaps cinema’s most remarkable one-off.
Expressively adapted for the screen by James Whale, this Jerome Kern–Oscar Hammerstein musical, featuring Paul Robeson and Irene Dunne, was considered radical at the time for its serious treatment of race.