Afghan Spring
Tsuchimoto’s last major feature reaffirms his undying allegiance to the global struggles of humanity.
You can buy admission tickets online. Pick a date and time to visit the Museum. Timed-entry slots are released generally one-month prior. All sales are final and payments cannot be refunded.
Tsuchimoto’s last major feature reaffirms his undying allegiance to the global struggles of humanity.
On November 20, join us for Robert Eggers's fierce adaptation of the Norse legend that inspired Shakespeare’s Hamlet featuring an intro and book signing by Simon Abrams, author of The Northman: A Call to the Gods, and a prerecorded intro by Robert Eggers.
A rich depiction of art-making and a mature meditation on the limits of art, featuring a wrenching strings-and-shakuhachi score from Toru Takemitsu.
The great Armenian filmmaker Parajanov had been laboring in obscurity for a decade or more by the time he made his breakout film, a visionary folk romance.
On November 19 and 25, join us for Jodie Foster's rollicking yet immensely moving comic drama, one of the most perceptive of all American films about the often unbearable dynamics of family.
Terence Malick's brilliant reimagining of the story of John Smith and Pocahontas as a transcendental reverie screens November 25–26.
On November 26, scholar Aaron Gerow will introduce the film, widely regarded as Tsuchimoto’s supreme masterpiece.
On November 26 and December 3, Jim Henson Legacy President Craig Shemin will appear in person with special outtakes and excerpts.
Terence Malick's brilliant reimagining of the story of John Smith and Pocahontas as a transcendental reverie screens November 25–26.
In this landmark, deeply unsettling film, director Joshua Oppenheimer exposes a contemporary Indonesian society formed from a brutal, harrowing, and still unexamined civil war. November 26 & December 17.
Lloyd Kaufman will appear in person on November 26 to introduce his underrated underground gem, a perfect blend of trademark Troma madness and Kaufman’s cynical, crude black humor.
Wildly underrated at the time of its release, Elaine May’s deceptively screwball comedy is a cross between a Hope and Crosby road movie and a trenchant satire about the Middle East that feels as relevant as it ever was. November 27 & December 4.