Working on It (Day Three)
The Working on It program, which offers a lab-like environment for work-in-progress screenings, workshops, and discussions about the artistic process, is open to the public.
You can buy admission tickets online. Pick a date and time to visit the Museum. Timed-entry slots are released generally one-month prior. All sales are final and payments cannot be refunded.
The Working on It program, which offers a lab-like environment for work-in-progress screenings, workshops, and discussions about the artistic process, is open to the public.
The film has a throwback epic scale, spanning decades in its protagonist’s lives and set in some of the most beautiful—and unyielding—vistas on earth, and encompassing a full spectrum of emotions and experiences.
This tender and poetic love letter from daughter to mother expresses a complexity of feeling and affinity that only cinema might approach.
Select scenes from the two screenplays awarded the 2022 Sloan Student Prizes will be read by professional actors as part of this special program, produced and directed by Mêlisa Annis, and followed by a Q&A with the filmmakers.
Terra Jean Long's film explores how a landscape has been shaped by ultimately fruitless economic pursuits and a desire for comfort and stability.
By the southern bank of the river demarcating the official border between Mauritania and Senegal, filmmaker Diago convenes an open-air assembly of Black Mauritanians who, in 1989, were expelled from their homeland.
Woven with coolly framed images and carefully layered sounds, A Common Sequence is a richly generative, open-ended experience.
Mohanad Yaqubi offers a fascinating, eclectic, and inspiring survey of cross-continental solidarity using a voluminous collection of pro-Palestinian work discovered in Japan.
Warped records of unexplained disappearances and lost transmissions, abandoned projects and utopian fantasies, echoing in one place then another, moving through time. Fermented ephemera unearthed from the roots of American decay.
Thirty-five-year-old Aga starts to look after her teenage brother, Milosz, after their mother’s death. While caring for him with the dedication and responsibility of a parent, she also seeks to become his legal guardian.
Beginning with a recitation of Brecht and Weill’s “The Drowned Girl,” here is a sequence of odes, melancholy and ecstatic, to the wonderful difficulty of currently inhabiting this world in these bodies
Shaw and Kamalakanthan’s film is at once a depressingly accurate evocation of the city’s first few months of lockdown and an endearing display of cinematic ingenuity under extreme duress.