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Behind the Screen - Tut's

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A woman in the foreground looks off screen concerned, while a man sits behind her on the same couch looking at her
Recurring

In a Lonely Place

This moody and electrifying thriller with Humphrey Bogart and directed by Nicholas Ray, master of the fifties melodrama about troubled masculinity, is among Hollywood’s darkest character studies.

A little tramp in his bowler hat looks at a young woman holding a flower and smiling
Recurring

City Lights

Investing two years and two million dollars, Chaplin dared to make a silent picture four years after synchronized sound revolutionized cinema—and created his masterpiece. See it on the big screen 1/21 & 1/22!

Horses stand in a windswept field, the sea in the distance

Geographies of Solitude

Screening on 1/27, as part of Science on Screen, one of the most acclaimed documentaries of 2022, set on the legendary Sable Island, known for its herd of wild horses, unparalleled population of grey seals, and shipwrecks.

A face surrounded by sunlike rays pokes through a black-and-white image of a landscape

The Moon Palace

Qiu’s remarkable debut is an experimental black-and-white documentary portrait of his father.

A woman in the foreground looks off screen concerned, while a man sits behind her on the same couch looking at her
Recurring

In a Lonely Place

This moody and electrifying thriller with Humphrey Bogart and directed by Nicholas Ray, master of the fifties melodrama about troubled masculinity, is among Hollywood’s darkest character studies.

A man in glasses sits in the back of a garbage truck in a garage looking at camera

Artist in Conversation: sTo Len

On January 28, artist sTo Len will be in conversation with Assistant Curator of Public Programs Tiffany Joy Butler to discuss his artistic practice of remixing DSNY’s media archives and his residency at the New York Department of Sanitation. 

a drag performer with a white shock wig talks into a microphone with one finger pointed up

Madame

This vibrant portrait of trans performer ‘Bilan de Linphel’ (birth name Fan Qihui) is both intimate and exhilaratingly expansive.

An elderly man and woman hold each other closely, their cheeks touching
Recurring

Make Way for Tomorrow

Dir. Leo McCarey. 1937, 92 mins. 35mm. With Beulah Bondi, Victor Moore, Thomas Mitchell, Fay Bainter. When McCarey won the Best Director Oscar in 1937 for his sparkling screwball comedy The Awful Truth, he stood ...

A close-up of a woman in a knit hat looking off camera

My Mother’s Rhapsody

This thoroughly entertaining film is Qiu’s expansive family chronicle, a documentary in the form of an art-folk tale.

A black and white photo of five people fighting over a large paper gift box, three people on the left and two on the right

My Friend, Lefterakis

Replete with intrigue and hilarious surprises, this classic, beloved farce from Greece's famed Finos Film studio concerns a woman who devises a devilish plan to expose her husband's cheating ways.

two men sit in the driver's seat of a cardboard illustrated car

Mr. Zhang Believes

Qiu’s brilliant fiction-documentary hybrid is based on the life of Zhang Xianchi, a so-called “rightist” persecuted for his unorthodox beliefs.

An elderly man and woman hold each other closely, their cheeks touching
Recurring

Make Way for Tomorrow

Dir. Leo McCarey. 1937, 92 mins. 35mm. With Beulah Bondi, Victor Moore, Thomas Mitchell, Fay Bainter. When McCarey won the Best Director Oscar in 1937 for his sparkling screwball comedy The Awful Truth, he stood ...