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Behind the Screen - Tut's

GENERAL ADMISSION

You can buy admission tickets online. Pick a date and time to visit the Museum. Timed-entry slots are released generally one-month prior. All sales are final and payments cannot be refunded.

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Recurring

The Abyss: Special Edition

James Cameron has re-released his beloved underwater sci-fi adventure in a newly restored, remastered version of the acclaimed extended director’s cut screens 4/28, 5/3, and 5/5.

Seven Seas: Chapter 1—Virginity

This harrowing, intricately plotted urban melodrama depicts the disgrace and subsequent revenge of a virtuous young woman from a traditional middle-class household who suffers at the hands of the predatory scion of the wealthy, westernized Yagibashi family.

Seven Seas: Chapter 2—Chastity

Part two of Shimizu's harrowing, intricately plotted urban melodrama depicting the disgrace and subsequent revenge of a virtuous young woman from a traditional middle-class household, who suffers at the hands of the predatory scion of the wealthy, westernized Yagibashi family.

A Hero of Tokyo

In just over an hour of tautly paced, plot-filled action, Shimizu unspools the tragic generational tale of Kenichi, a boy whose backsliding father abandons him.

Japanese Girls at the Harbor

Hiroshi Shimizu’s most celebrated silent film—about the jealousy that ensnares devoted Catholic school mates Sunako and Dora as they both fall for the motorcycle-sporting playboy Henry—screens with live piano accompaniment by Makia Matsumura on 5/4.

Recurring

The Abyss: Special Edition

James Cameron has re-released his beloved underwater sci-fi adventure in a newly restored, remastered version of the acclaimed extended director’s cut screens 4/28, 5/3, and 5/5.

Forget Love for Now

This devastating story of a single mother Oyuki who supports herself and her son Haruo by working at a “chabuya,” a hostess bar catering to foreigners, is set in the cosmopolitan harbor city of Yokohama.

I Don’t Expect Anyone to Believe Me

On May 5, see this engrossing dark comedy from Mexican director Fernando Frías, based on the novel by acclaimed writer Juan Pablo Villalobos, followed by a Q&A with Frías.