Tut’s Fever Movie Palace
Tut’s Fever is a working movie theater and art installation created by Red Grooms and Lysiane Luong, an homage to the ornate, exotic picture palaces of the 1920s
You can buy admission tickets online. Pick a date and time to visit the Museum. Timed-entry slots are released generally one-month prior. All sales are final and payments cannot be refunded.
Tut’s Fever is a working movie theater and art installation created by Red Grooms and Lysiane Luong, an homage to the ornate, exotic picture palaces of the 1920s
The Museum's core exhibition immerses visitors in the creative and technical process of producing, promoting, and presenting films, television shows, and digital entertainment.
This dynamic experience explores Jim Henson’s groundbreaking work for film and television and his transformative impact on culture.
With material drawn from MoMI’s permanent collection, this exhibit explores the film’s production and makeup design, detailing how a stylish townhouse in Georgetown, Washington, D.C., and an innocent young girl were transformed into sites of horror.
On the occasion of Todd Haynes’s May December, MoMI presents an exhibit with materials from the archives of filmmaker Todd Haynes, now part of the Museum’s collection, offering a glimpse into his process of transforming historical and cultural referents into formally ambitious, richly emotional films.
The first major survey of the pioneering net-artist and sculptor Auriea Harvey features more than 40 of Harvey’s works from her career spanning nearly four decades. Extended through December 1, 2024!
Allen Riley's Videofreak reimagines the arcade game experience by emphasizing the art of video manipulation over traditional gameplay elements like scorekeeping and end goals.
Jane Henson (née Nebel) was one of her husband Jim Henson’s most significant longtime collaborators.This compilation highlights some of Jane’s performances with the Muppets.
In the ancient Greek myth of Echo, the cursed nymph is condemned to only repeat the words of others. Auriea Harvey reimagines the story in the monumental sculpture Echo (2024).
This series of video works span a multi-generational evolution of digital graphics, from early 1-bit constraints to complex three-dimensional models.
Vividly capturing the performances of big bands, folk artists, vocalists, dancers, and novelty acts, these proto music videos comprise a dynamic visual record of the popular entertainers of the era from 1941–1947.
The first film from the Hughes Brothers was a sensation at the 1993 Cannes Film Festival and remains an uncompromising and revelatory touchstone of 1990s American independent cinema.
This art installation and talk will explore the intersections of queer embodiment and speculative imagination. At 8:00–10:00 p.m., there will be a reception with refreshments and music by DJ Aguapanela Mami.
The definitive film of its era, earning Quentin Tarantino a screenplay Oscar and igniting a career that remains essential to the landscape of American auteur cinema, screens on 35mm 7/12 and 7/14.