Tut’s Fever Movie Palace
Tut’s Fever is a working movie theater and art installation created by Red Grooms and Lysiane Luong, an homage to the ornate, exotic picture palaces of the 1920s
CALENDAR
GENERAL ADMISSION
You can buy admission tickets online. Pick a date and time to visit the Museum. Timed-entry slots are released generally one-month prior. All sales are final and payments cannot be refunded.
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All Day
Behind the Screen
Museum of the Moving ImageThe Museum's core exhibition immerses visitors in the creative and technical process of producing, promoting, and presenting films, television shows, and digital entertainment.
The Jim Henson Exhibition
Museum of the Moving ImageThis dynamic experience explores Jim Henson’s groundbreaking work for film and television and his transformative impact on culture.
Horrible Sites: Makeup and Production Design for The Exorcist
With material drawn from MoMI’s permanent collection, this exhibit explores the film’s production and makeup design, detailing how a stylish townhouse in Georgetown, Washington, D.C., and an innocent young girl were transformed into sites of horror.
Reflected Forms: Story and Character in the Films of Todd Haynes
On the occasion of Todd Haynes’s May December, MoMI presents an exhibit with materials from the archives of filmmaker Todd Haynes, now part of the Museum’s collection, offering a glimpse into his process of transforming historical and cultural referents into formally ambitious, richly emotional films.
Auriea Harvey: My Veins Are the Wires, My Body Is Your Keyboard
The first major survey of the pioneering net-artist and sculptor Auriea Harvey features more than 40 of Harvey’s works from her career spanning nearly four decades.
Videofreak
Allen Riley's Videofreak reimagines the arcade game experience by emphasizing the art of video manipulation over traditional gameplay elements like scorekeeping and end goals.
Tide Predictor
Tide Predictor is LoVid’s first code-driven generative artwork, a departure from a majority of their catalog, which centers experimentation with actual analog video. It will be displayed on the Museum's Schlosser Media Wall in the lobby.
Fiona Tan: Footsteps
In this video installation drawn exclusively from films made between 1896 and the late 1920s, Tan pairs mesmerizing moments of people working over a century ago—sewing fishing nets, harvesting wheat, collecting chicken eggs, sorting oysters—with missives from her Australia-based father, read aloud by Scottish actor Ian Henderson.
My Own Yard to Play in
My Own Yard to Play in documents children at play on the streets of Harlem in the late 1950s.
Joe Versus the Volcano
After winning the Oscar for writing Moonstruck, Shanley got the greenlight for his ambitious, surreal comedy about a hypochondriac workaday schlub (Tom Hanks) who finds out he has a fatal “brain cloud” and dumps his soul-sucking office job to embark on a final adventure.
Introducing the Industry with IATSE
IATSE is the union behind entertainment, with over 170,000 members working in television, motion pictures, theater, and beyond. At this FREE EVENT on 6/2, meet the people who make the magic of the moving image possible, and discover how they got their start in the industry.
Defending Your Life
Albert Brooks’s captivating romantic comedy about the afterlife, screening 6/1 and 6/2, is a perfect showcase for the inimitable writer-director-star's mix of caustic social observation and emotional warmth.
Mars Attacks!
On 5/24, Tim Burton's gleeful riff on 1950s sci-fi schlock, about an invasion of ray-gun-wielding Martians, kicks off our wide-ranging summer series See It Big at the '90s Multiplex.