CALENDAR
![Behind the Screen - Tut's](https://movingimage.org/wp-content/uploads/2020/10/ca43e248398fb41361c3000ce4733469-1-600x300.jpg)
GENERAL ADMISSION
You can buy admission tickets online. Pick a date and time to visit the Museum. Timed-entry slots are released generally one-month prior. All sales are final and payments cannot be refunded.
Week of Events
Tut’s Fever Movie Palace
Tut’s Fever Movie Palace
Tut’s Fever is a working movie theater and art installation created by Red Grooms and Lysiane Luong, an homage to the ornate, exotic picture palaces of the 1920s
Behind the Screen
Behind the Screen
The Museum's core exhibition immerses visitors in the creative and technical process of producing, promoting, and presenting films, television shows, and digital entertainment.
The Jim Henson Exhibition
The Jim Henson Exhibition
This dynamic experience explores Jim Henson’s groundbreaking work for film and television and his transformative impact on culture.
Horrible Sites: Makeup and Production Design for The Exorcist
Horrible Sites: Makeup and Production Design for The Exorcist
With material drawn from MoMI’s permanent collection, this exhibit explores the film’s production and makeup design, detailing how a stylish townhouse in Georgetown, Washington, D.C., and an innocent young girl were transformed into sites of horror.
Mr. Yellow Sweatshirt
Mr. Yellow Sweatshirt
Shot in the Roosevelt Ave/Jackson Heights station, this installation video captures the tide of New Yorkers streaming through an entrance to the subway system in what the filmmakers refer to as a “collective ballet.”
Reflected Forms: Story and Character in the Films of Todd Haynes
Reflected Forms: Story and Character in the Films of Todd Haynes
On the occasion of Todd Haynes’s May December, MoMI presents an exhibit with materials from the archives of filmmaker Todd Haynes, now part of the Museum’s collection, offering a glimpse into his process of transforming historical and cultural referents into formally ambitious, richly emotional films.
Auriea Harvey: My Veins Are the Wires, My Body Is Your Keyboard
Auriea Harvey: My Veins Are the Wires, My Body Is Your Keyboard
The first major survey of the pioneering net-artist and sculptor Auriea Harvey features more than 40 of Harvey’s works from her career spanning nearly four decades. Extended through December 1, 2024!
Videofreak
Videofreak
Allen Riley's Videofreak reimagines the arcade game experience by emphasizing the art of video manipulation over traditional gameplay elements like scorekeeping and end goals.
Tide Predictor
Tide Predictor
Tide Predictor is LoVid’s first code-driven generative artwork, a departure from a majority of their catalog, which centers experimentation with actual analog video. It will be displayed on the Museum's Schlosser Media Wall in the lobby.
Fiona Tan: Footsteps
Fiona Tan: Footsteps
In this video installation drawn exclusively from films made between 1896 and the late 1920s, Tan pairs mesmerizing moments of people working over a century ago—sewing fishing nets, harvesting wheat, collecting chicken eggs, sorting oysters—with missives from her Australia-based father, read aloud by Scottish actor Ian Henderson.
The House of Mirth
The House of Mirth
Terence Davies’s magnificent adaptation of Edith Wharton’s 1905 novel is a sumptuous triumph all around, yet its beating, battered heart belongs to Gillian Anderson, who miraculously evokes tragic heroine Lily Bart. Encore screening 3/22 on 35mm.
Tendaberry
Tendaberry
This rapturous, dazzlingly unconventional debut feature dives deep into the life, mind, and spirit of a twentysomething Dominican American woman finding her footing in South Brooklyn. Screens 3/15 as part of First Look 2024.
The Red Shoes
The Red Shoes
Powell and Pressburger’s influential backstage drama masterpiece about a rising star ballerina consumed by perfectionism features an unforgettable extended fantasy ballet, and Oscar-winning art direction and musical score. Screens 3/23, 3/24, and 3/29.
Support the Girls
Support the Girls
Snubbed: Regina Hall Dir. Andrew Bujalski. 2018, U.S. 93 mins. DCP. With Regina Hall, Haley Lu Richardson, Dylan Gelula, Zoe Graham. Regina Hall is effortlessly magnetic as Lisa, the general manager of the Hooters-like sports ...
The Featherweight
The Featherweight
Imagine a lost feature by the Maysles Brothers or Ricky Leacock, filmed right when they might have consorted with a colorful and tragic character like Pep, and you’ve got The Featherweight. See it 3/16 with director Robert Kolodny in person for First Look 2024.
The Red Shoes
The Red Shoes
Powell and Pressburger’s influential backstage drama masterpiece about a rising star ballerina consumed by perfectionism features an unforgettable extended fantasy ballet, and Oscar-winning art direction and musical score. Screens 3/23, 3/24, and 3/29.
Something Wild
Something Wild
Jonathan Demme was at the height of his madcap powers with this quintessential rollicking eighties comic adventure starring a breakout Melanie Griffith as the maniacally free-spirited Lulu.