Speed
A thrill from its nail-biter elevator opening to its final subway chase, Speed is a model of ruthless efficiency.
You can buy admission tickets online. Pick a date and time to visit the Museum. Timed-entry slots are released generally one-month prior. All sales are final and payments cannot be refunded.
A thrill from its nail-biter elevator opening to its final subway chase, Speed is a model of ruthless efficiency.
Kathryn Bigelow’s grandest cinematic vision is an anxiety-filled drama of near-apocalypse set in Los Angeles at the turn of the 21st century.
The first film from the Hughes Brothers was a sensation at the 1993 Cannes Film Festival and remains an uncompromising and revelatory touchstone of 1990s American independent cinema.
The definitive film of its era, earning Quentin Tarantino a screenplay Oscar and igniting a career that remains essential to the landscape of American auteur cinema, screens on 35mm 7/12 and 7/14.
Ludo, a trans child, explores their gender identity and faces harsh transphobic fallout in this beautiful film. Introduced by critic/author Caden Mark Gardner; followed by book-signing on 7/13.
Robert Altman's memory-haunted melodrama takes place in a Woolworth’s five-and-dime in Texas, just down the road from where Giant was shot, as the members of a James Dean fan club, the Disciples, reunite after a 20-year hiatus.
A thrill from its nail-biter elevator opening to its final subway chase, Speed is a model of ruthless efficiency.
The first film from the Hughes Brothers was a sensation at the 1993 Cannes Film Festival and remains an uncompromising and revelatory touchstone of 1990s American independent cinema.
The definitive film of its era, earning Quentin Tarantino a screenplay Oscar and igniting a career that remains essential to the landscape of American auteur cinema, screens on 35mm 7/12 and 7/14.
Described by Martin Scorsese as “unlike anything in cinema history,” Sergei Parajanov's masterpiece about 18th-century poet Sayat Nova screens 7/6 and 7/26.
Erich Stroheim’s film maudit, which originally ran nearly nine hours before its butchering at the hands of Irving Thalberg, nonetheless remains one of the silent era’s white-hot masterpieces. With live piano accompaniment by Makia Matsumura on 8/25.
Erich Stroheim’s film maudit, which originally ran nearly nine hours before its butchering at the hands of Irving Thalberg, nonetheless remains one of the silent era’s white-hot masterpieces. With live piano accompaniment by Makia Matsumura on 8/25.