You can buy admission tickets online. Pick a date and time to visit the Museum. Timed-entry slots are released generally one-month prior. All sales are final and payments cannot be refunded.
Jane Campion’s debut feature film portrays—with lurid and unabashed vitality—the perilous relationship between two sisters, one repressed and anxious, the other unhindered and reckless, after the latter, nicknamed Sweetie, returns to their Sydney suburban home.
On July 28, the director-performer-producer joins us to discuss this gem of the gathering Australian New Wave of the '80s, plus reception.
This two-part professional development workshop series teaches educators, therapists, counselors, and parents how to use puppets when working with neurodiverse children, including those on the autism spectrum. July 29 and August 12.
Part fish-out-of-water comedy, part family melodrama, this warm-hearted, hilarious, and sharply observed depiction of the Chinese diaspora by Clara Law screens August 6 and 14.
Best Documentary winner at Cannes, this debut film by Payal Kapadia deftly merges reality with fiction, weaving together archival footage and student protest videos to create a vital tapestry of the personal and the political—screens July 29 and 31.
Laurie McInnes here makes her feature directorial debut with this haunting, dusty Australian gothic noir, shot in rich black-and-white.
Featuring a post-screening discussion with director Nadia Tass, co-presented with New York Women in Film & Television Dir. Nadia Tass. 1990, 99 mins. 35mm. With Ben Mendelsohn, Claudia Karvan, Steve Bisley, Damon Herriman. Teenager Danny ...
Romero's fourth entry in his Dead cycle is a biting social satire about class warfare. On July 17, with intro by Brett Arnold, followed by a live taping of The New Flesh podcast.
Two films of working class families in the '80s and '90s, each presented in 16mm.
Join us for a special guided tour of The Jim Henson Exhibition for only $5 over the price of admission!
A special Double Feature of George Romero's final two films in his iconic series.
Exposed to a new, post-innocent world, eight-year-old Celia attempts to navigate fantasy and reality—a nuanced coming-of-age tale, with mythological elements, set against the backdrop of 1950s conservatism.