The Viewing Booth
On February 20, Ra'anan Alexandrowicz joins us for a special Curators' Choice screening of his gripping documentary.
You can buy admission tickets online. Pick a date and time to visit the Museum. Timed-entry slots are released generally one-month prior. All sales are final and payments cannot be refunded.
On February 20, Ra'anan Alexandrowicz joins us for a special Curators' Choice screening of his gripping documentary.
Dir. Tassos Gerakinis. 2019, 95 mins. DCP. In Greek with English subtitles. With Takis Sakellariou, Katerina Papanastassatou, Christos Strepkos, Yorgos Souxes, Nikolas Kassapis. In debt and struggling to save his relationship with his headstrong daughter, ...
Sergio Leone’s widescreen masterpiece—a nearly avant-garde epic featuring depopulated vistas, extreme close-ups, Henry Fonda cast against type as a grimy villain, and a searing harmonica-dominant score by Ennio Moricone.
An impressionistic meta-fiction born from the manipulation of hundreds of hours of innocuous uploads to YouTube, Dean Fleischer-Camp's film posits a family’s desperate criminal enterprise from seemingly innocuous home movies.
A selection of family-friendly shorts from the masterful Buster Keaton.
This powerful documentary represents the resilience and resistance of people who have an indomitable desire to live.
On February 26, we welcome Pacho Velez and Courtney Stephens with their documentary about the U.S. afterlife of the Berlin Wall.
On February 26, Courtney Stephens joins us for a live presentation of her film, comprised of archival footage from the first half of the 20th century, all shot by women in locations far from home.
Iconoclastic indie filmmaker Abel Ferrara reinvented the vampire film in this nineties genre essential.
At the age of 54, Woody Strode got his first starring role in this Italian production in which he plays Maurice Lalubi, an African rebel based on Congolese leader Patrice Lumumba.
On February 27, our community partner The Afrikan Poetry Theatre’s annual film festival highlights the rise of Black fiction and how Black history is preserved, reimagined, and remixed through narrative form.
Enzo G. Castellari (director of the original The Inglorious Bastards) considered this sweeping revenge drama to be his best work.