Ouanga
Notable at the time for starring a Black actress, and even as the narrative blatantly antagonizes her, Fredi Washington’s presence imbues the film with unexpected depth.
You can buy admission tickets online. Pick a date and time to visit the Museum. Timed-entry slots are released generally one-month prior. All sales are final and payments cannot be refunded.
Notable at the time for starring a Black actress, and even as the narrative blatantly antagonizes her, Fredi Washington’s presence imbues the film with unexpected depth.
This groundbreaking feature follows rebel computer programmer Kevin Flynn as he is scanned and transported into an autocratic universe of zipping vectors and shiny surfaces, somewhere inside the mainframe of an arcade game.
Bob Hope is a radio personality who ends up following Paulette Goddard to Cuba, where she's set to inherit a plantation and—likely haunted—castle. The August 28 screening will be followed by a panel discussion on zombies and race with Yasmina Price, Dr. David Bering-Porter, and guest curator Kelli Weston.
You have two more chances to see this gorgeous 70mm print of Walt Disney’s classic 1959 fairy tale, at the time the most expensive animated film ever made. Screening September 3 and 5!
Italian horror maestro Lucio Fulci returns to the racialized origins of the zombie narrative with what was originally conceived as a sequel to George A. Romero’s Dawn of the Dead.
In Walter Hill’s neo-noir cum outlaw-biker rock opera, fifties nostalgia fuels a futuristic Americana fantasy that’s all neon, chrome, fire, and steam. Screening in 70mm, August 27–Sep. 4.
Screening September 2, Pacho Velez's new documentary is a portrait of the city as seen through the eyes of people looking for love on various dating apps, with the filmmaker and special guests in person.
You have two more chances to see this gorgeous 70mm print of Walt Disney’s classic 1959 fairy tale, at the time the most expensive animated film ever made. Screening September 3 and 5!
Though somewhat forgotten, this film harnesses stock footage with a rather clear-eyed view of the cost of war and a pervasive eeriness that eclipses its dated special effects.
This film marks the slow-building shift toward a more “raceless” zombie figure, discarding the symbolically Black trappings of Haiti and voodoo.
Paul Thomas Anderson's acclaimed misfit romance plays at MoMI on 70mm August 12–September 3.
While other zombie films of the era were more preoccupied with the “atomic” zombie—a manifestation of scientific overreach rather than a mystical being—Cahn’s film contains prescient imagery to which several later zombie films may trace their lineage.