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Please be advised: the Museum will be open on Wednesday, June 19, 12:00–6:00 p.m. for the Juneteenth holiday.

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Behind the Screen - Tut's

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Type: Event +1
Options: 35mm

A long-haired man with a rifle, surrounded by other Native American warriors, runs through a field surrounded by trees and mountains
Recurring

The Last of the Mohicans

This sweeping, feverish epic adapted loosely from James Fenimore Cooper's 1826 novel features some of Michael Mann's most hypnotic vistas and kinetic sequences.

Standing in front of a covered bridge in a rural setting, a man holds a camera, pointing a lens towards a woman who blushes as she grabs her neck.
Recurring

The Bridges of Madison County

Eastwood’s astonishingly beautiful adaptation of the best-selling novel by Robert James Waller, starring a magnificent Meryl Streep, screens on 35mm on 6/15 and 6/16.

A blonde young woman with braids looks at a man in profile; they are against a green outdoor backdrop
Recurring

Europa Europa

Agnieszka Holland received an Academy Award nomination for this account of the real-life experiences of a German Jew who, at 16, concealed his Jewishness during WWII. Holland in person on 6/20!

In an old English garden setting, a boy in a cap pushes a wheelchair with a boy in an cap sitting in it, as the whole chair is pulled along in front by a girl in a straw hat. In the foreground are geese flapping their wings.
Recurring

The Secret Garden

Frances Hodgson Burnett’s classic children’s novel comes to precious life in Holland’s exquisitely mounted gothic adaptation, one of the finest live-action family films of the nineties. Agnieszka Holland will appear in person at the 6/21 screening!

A silhouetted tractor rides down a road at twilight against on orange sky, with a human figure at the front.
Recurring

The Straight Story

Featuring vast amber vistas of the American heartland courtesy of the great cinematographer Freddie Francis, The Straight Story is one of David Lynch’s most uncharacteristic and undoubtedly best films. Screening on 35mm 6/9 and 6/22.

Recurring

Dick Tracy

Warren Beatty’s big-budget, color-drenched adaptation of Chester Gould’s classic mid-century comic strip is a visual delight from start to finish, featuring lovingly detailed noir photography by Vittorio Storaro.

A closeup of a man with a scarred face wrapped in bandages and wearing a black fedora
Recurring

Darkman

Universal enlisted Raimi, known primarily for his delightfully impious Evil Dead films, for their own version of a comic book superhero movie. The result is among the wildest, most stylistically untamed popcorn movies of its era.

Recurring

Dick Tracy

Warren Beatty’s big-budget, color-drenched adaptation of Chester Gould’s classic mid-century comic strip is a visual delight from start to finish, featuring lovingly detailed noir photography by Vittorio Storaro.

A closeup of a man with a scarred face wrapped in bandages and wearing a black fedora
Recurring

Darkman

Universal enlisted Raimi, known primarily for his delightfully impious Evil Dead films, for their own version of a comic book superhero movie. The result is among the wildest, most stylistically untamed popcorn movies of its era.

A colorful image of three teenage girls holding 1990s-style cellular phones; the blonde in the middle looks at camera with a clueless expression. One girl on either side of her talks on her own phone.
Recurring

Clueless

The sleeper smash of summer 1995, set in a fashion-forward Beverly Hills high school, transcended its satirical take on SoCal privilege to become an iconic, ironic lexicon for nineties teen living.

A colorful image of three teenage girls holding 1990s-style cellular phones; the blonde in the middle looks at camera with a clueless expression. One girl on either side of her talks on her own phone.
Recurring

Clueless

The sleeper smash of summer 1995, set in a fashion-forward Beverly Hills high school, transcended its satirical take on SoCal privilege to become an iconic, ironic lexicon for nineties teen living.

A brown-skinned woman in dreadlocks kisses the forehead of a light-skinned man with a bloody forehead as they crouch against a white wall
Recurring

Strange Days

Kathryn Bigelow’s grandest cinematic vision is an anxiety-filled drama of near-apocalypse set in Los Angeles at the turn of the 21st century.

Two blindfolded people stand in wooden stocks around their necks

Shadows of Forgotten Ancestors

Inspired by Tarkovsky, Kalatozov, and Urusevsky, as well as Ukrainian Hutsul folk culture, this treasured cornerstone of independent Ukrainian cinema marked a shift in the development of Ukrainian culture in the second half of the 20th century.