Minamata: The Victims and Their World
Noriaki Tsuchimoto's film, screening November 18 and 27, is a monumental achievement in documentary history.
You can buy admission tickets online. Pick a date and time to visit the Museum. Timed-entry slots are released generally one-month prior. All sales are final and payments cannot be refunded.
Noriaki Tsuchimoto's film, screening November 18 and 27, is a monumental achievement in documentary history.
Terry Gilliam’s jaw-dropping dystopian science-fiction black comedy imagines a totalitarian surveillance society that would make Orwell envious. November 27 & December 4.
Filmmaker Reid Davenport appears in person November 27 to present his groundbreaking, Sundance-awarded work of nonfiction, which offers a uniquely transporting cinematic experience.
Iliana Sosa’s film is a marvel of presence, filled with gorgeously attentive images and casually revelatory moments born of patience and loving complicity. With director in person.
On November 29 at 7 p.m., join us for a very special free screening of Elvis with director Baz Luhrmann in person!
On December 1, join us for the Museum's annual winter fundraising event, honoring directors Sarah Polley and Laura Poitras, novelist and screenwriter Kazuo Ishiguro, and composer Michael Abels.
On November 26 and December 3, Jim Henson Legacy President Craig Shemin will appear in person with special outtakes and excerpts.
Filmed before the pandemic, Pawel Lozinski’s revelatory documentary was shot entirely from his balcony in Warsaw. Director in person—December 2!
On November 26 and December 3, Jim Henson Legacy President Craig Shemin will appear in person with special outtakes and excerpts.
Lozinski’s first major work, following Henryk Greenberg, a Polish-born American who lost much of his family in the Holocaust, plus a celebrated, delicate short study of familial love.
Wildly underrated at the time of its release, Elaine May’s deceptively screwball comedy is a cross between a Hope and Crosby road movie and a trenchant satire about the Middle East that feels as relevant as it ever was. November 27 & December 4.
In and around his own apartment in Warsaw, Łoziński explores a year in the lives of his neighbors; plus an intimate portrait of the filmmaker’s own cleaning lady, a single mother who left her native Ukraine seeking a better life.
A political media advisor puts out a call for neophyte applicants for political candidacy, and hundreds apply in this dynamic, entertaining, and implicitly damning snapshot of opportunistic populism in action.