You can buy admission tickets online. Pick a date and time to visit the Museum. Timed-entry slots are released generally one-month prior. All sales are final and payments cannot be refunded.
This selection of highlights from Kino Lorber’s forthcoming collection Cinema’s First Nasty Women features eleven recently restored and newly scored comic shorts from the U.S. and Europe that anarchically celebrate feminist and racial protest, slapstick rebellion, and gender play.
The ninth film from Quentin Tarantino revisits Los Angeles at the tail end of the 1960s, when the Hollywood studio system was fading and hippie subversion was ascendant.
Global capitalism has incentivized systems of destruction and waste, domination and extraction, which have specific, local consequences, explored in this pairing.
This sardonic, New York–set sci-fi smash features Will Smith and Tommy Lee Jones in comic-cool mode as agents of a top-secret organization that polices extraterrestrial activity on Earth.
This groundbreaking feature follows rebel computer programmer Kevin Flynn as he is scanned and transported into an autocratic universe of zipping vectors and shiny surfaces, somewhere inside the mainframe of an arcade game.
Easily the most sophisticated and memorable of the zombie films of the subgenre’s premier era, Tourneur and low-budget producer extraordinaire Val Lewton’s remarkable collaboration is a dreamlike horror fable that loosely reimagines Charlotte Brontë’s Jane Eyre.
You have two more chances to see this gorgeous 70mm print of Walt Disney’s classic 1959 fairy tale, at the time the most expensive animated film ever made. Screening September 3 and 5!
Directly inspired by William Seabrook’s book The Magic Island, this is considered the first feature-length zombie film and would serve as a major influence to those that followed.
This groundbreaking feature follows rebel computer programmer Kevin Flynn as he is scanned and transported into an autocratic universe of zipping vectors and shiny surfaces, somewhere inside the mainframe of an arcade game.
Easily the most sophisticated and memorable of the zombie films of the subgenre’s premier era, Tourneur and low-budget producer extraordinaire Val Lewton’s remarkable collaboration is a dreamlike horror fable that loosely reimagines Charlotte Brontë’s Jane Eyre.
Please note: This screening has been canceled due to the distributor's decision to withdraw the film from circulation temporarily.
Italian horror maestro Lucio Fulci returns to the racialized origins of the zombie narrative with what was originally conceived as a sequel to George A. Romero’s Dawn of the Dead.
In Walter Hill’s neo-noir cum outlaw-biker rock opera, fifties nostalgia fuels a futuristic Americana fantasy that’s all neon, chrome, fire, and steam. Screening in 70mm, August 27–Sep. 4.