On Guard + Nice Coloured Girls + Shadow Panic
Four women conspire to sabotage the research program of Utero, a multinational firm engaged in reproductive engineering, in On Guard, screening with two classic Australian short films.
You can buy admission tickets online. Pick a date and time to visit the Museum. Timed-entry slots are released generally one-month prior. All sales are final and payments cannot be refunded.
Four women conspire to sabotage the research program of Utero, a multinational firm engaged in reproductive engineering, in On Guard, screening with two classic Australian short films.
Set over 24 hours, this low-budget, independent comedy about love, friendship, share-houses, and university bureaucracy sizzles with sharp dialogue and radiant performances from its young leads.
Emilio Delgado, who passed away earlier this year, delighted audiences for more than 44 years on Sesame Street as Luis Rodriguez. Join us for a look back at some of his most indelible moments.
In this 60-minute class, students will build puppets, learn about theater and perform their own original stories.
Celebrated visual artist Tracey Moffatt’s only feature film is a triptych of strange ghost stories rendered with a vivid staginess and dark humor, screening July 30 and August 13.
Paul Thomas Anderson's acclaimed misfit romance plays at MoMI on 70mm August 12–September 3.
In this 60-minute class, students will build puppets, learn about theater and perform their own original stories.
Exposed to a new, post-innocent world, eight-year-old Celia attempts to navigate fantasy and reality—a nuanced coming-of-age tale, with mythological elements, set against the backdrop of 1950s conservatism.
The ninth film from Quentin Tarantino revisits Los Angeles at the tail end of the 1960s, when the Hollywood studio system was fading and hippie subversion was ascendant.
Corinne Cantrill, who works with her husband Arthur Cantrill, is one of Australia’s most committed and prolific experimental filmmakers. This brilliantly constructed and questioning autobiography covers the years 1928–1984, using a tapestry of photographs and a handful of moving image clips, centering the emotions and memories they elicit.
Paul Thomas Anderson's acclaimed misfit romance plays at MoMI on 70mm August 12–September 3.
Part fish-out-of-water comedy, part family melodrama, this warm-hearted, hilarious, and sharply observed depiction of the Chinese diaspora by Clara Law screens August 6 and 14.
The ninth film from Quentin Tarantino revisits Los Angeles at the tail end of the 1960s, when the Hollywood studio system was fading and hippie subversion was ascendant.