The Sweet East
Nothing is sacred in the knockabout feature directorial debut of acclaimed cinematographer Sean Price Williams and critic-turned-screenwriter Nick Pinkerton, screening in 35mm.
You can buy admission tickets online. Pick a date and time to visit the Museum. Timed-entry slots are released generally one-month prior. All sales are final and payments cannot be refunded.
Nothing is sacred in the knockabout feature directorial debut of acclaimed cinematographer Sean Price Williams and critic-turned-screenwriter Nick Pinkerton, screening in 35mm.
This harrowing, intricately plotted urban melodrama depicts the disgrace and subsequent revenge of a virtuous young woman from a traditional middle-class household who suffers at the hands of the predatory scion of the wealthy, westernized Yagibashi family.
Part two of Shimizu's harrowing, intricately plotted urban melodrama depicting the disgrace and subsequent revenge of a virtuous young woman from a traditional middle-class household, who suffers at the hands of the predatory scion of the wealthy, westernized Yagibashi family.
In just over an hour of tautly paced, plot-filled action, Shimizu unspools the tragic generational tale of Kenichi, a boy whose backsliding father abandons him.
Hiroshi Shimizu’s most celebrated silent film—about the jealousy that ensnares devoted Catholic school mates Sunako and Dora as they both fall for the motorcycle-sporting playboy Henry—screens with live piano accompaniment by Makia Matsumura on 5/4.
This devastating story of a single mother Oyuki who supports herself and her son Haruo by working at a “chabuya,” a hostess bar catering to foreigners, is set in the cosmopolitan harbor city of Yokohama.
Shimizu’s first talkie enacts another tale of fallen womanhood and migrant struggle.
Screening 5/5, Hiroshi Shimizu's beloved road movie fashions a tour of depression-era Japan that deserves mention in the company of Ford’s Stagecoach and Renoir’s The Crime of Monsieur Lange.
In Shimizu’s most renowned and adored film in Japan, the idyllic country life of two brothers is suddenly thrown into crisis one summer when their father is wrongly arrested for embezzlement. Screens Friday, 5/10.
Shimizu's film draws on the then widely circulated story of a 17-year-old Taiwanese aboriginal girl whose patriotic zeal so gripped her that she drowned amid a storm while seeing off her Japanese teacher for the Chinese front.
Singled out by several Shimizu scholars as a masterpiece, this first part of the two-volume sequel to Children in the Wind portrays the ongoing trials of boys Zenta and Sanpei as their family once again falls on hard times. Screening 5/11.
Singled out by several Shimizu scholars as a masterpiece, this two-volume sequel to Children in the Wind portrays the ongoing trials of boys Zenta and Sanpei as their family once again falls on hard times.
Shimizu’s plaintive romance turns on the encounter between a convalescing soldier (Ozu stalwart Chishu Ryū) and a young woman (the great Kinuyo Tanaka) fleeing her sordid past at a secluded mountain spa.