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Behind the Screen - Tut's

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A black and white photo of two Japanese women leaning against a wooden pole and looking hopefully into the camera from a high angle.

Sayon’s Bell

Shimizu's film draws on the then widely circulated story of a 17-year-old Taiwanese aboriginal girl whose patriotic zeal so gripped her that she drowned amid a storm while seeing off her Japanese teacher for the Chinese front.

A black and white photo of children in a tree wearing masks and looking down at the camera.

Four Seasons of Children: Spring/Summer

Singled out by several Shimizu scholars as a masterpiece, this first part of the two-volume sequel to Children in the Wind portrays the ongoing trials of boys Zenta and Sanpei as their family once again falls on hard times. Screening 5/11.

A black-and-white image from the 1930s of young Japanese boys dressed in school uniforms and caps standing amidst a sun-dappled field of wheat

Four Seasons of Children: Autumn/Winter

Singled out by several Shimizu scholars as a masterpiece, this two-volume sequel to Children in the Wind portrays the ongoing trials of boys Zenta and Sanpei as their family once again falls on hard times.

A black and white photo of a Japanese man and woman standing by a tree outside; he looks at her, she looks off past the camera.

Ornamental Hairpin

Shimizu’s plaintive romance turns on the encounter between a convalescing soldier (Ozu stalwart Chishu Ryū) and a young woman (the great Kinuyo Tanaka) fleeing her sordid past at a secluded mountain spa.