Jalali’s Sundance standout, about a newly immigrated twentysomething from Afghanistan in the San Francisco Bay Area, has an exquisitely modulated tone all its own: somewhere between deadpan comedy and offhand sorrow. Screening 9/15–9/24.

Written, directed, and produced by deaf Black American filmmaker Jade Bryan, The Shattered Mind is about Zhane Rain, a teenager who struggles to find herself, questioning whether she was born deaf, and seeking to understand her recurring nightmares. Free screening on 9/22 supported by the NYC Mayor's Office for People with Disabilities, with director in person!

The films that comprise José Val del Omar’s Elementary Triptych of Spain (1953–1995) are audiovisual poems of the senses; these encore screenings will take place in the Bartos Screening Room on DCP. 

Endlessly regenerative auteur Oliviers Assayas's prescient fable about desire, vision, control.

In this romantic comedy from director Sanaa Hamri and writer Michael Elliot, physical therapist Leslie Wright (Queen Latifah) helps Scott McKnight (Common) find a second chance at love, compassion, and confidence, on and off the court.

On 9/23 and 9/30, see George Cukor and Katharine Hepburn’s screwball passion project. Made soon after the industry-transforming enforcement of Hollywood’s Production Code, it was considered scandalous in its day.

Director Phil Morrison will appear in person Saturday 9/23 at 3:00 p.m. for a screening of this true American beauty, rich in character, complex in theme—one of the smartest and most moving domestic dramas of the century so far.

Jalali’s Sundance standout, about a newly immigrated twentysomething from Afghanistan in the San Francisco Bay Area, has an exquisitely modulated tone all its own: somewhere between deadpan comedy and offhand sorrow. Screening 9/15–9/24.

In this romantic comedy from director Sanaa Hamri and writer Michael Elliot, physical therapist Leslie Wright (Queen Latifah) helps Scott McKnight (Common) find a second chance at love, compassion, and confidence, on and off the court.

On Saturday 9/23 at 6:00 p.m., Brian De Palma’s silky, seductive, ridiculously entertaining meta-noir will be introduced by Reverse Shot editors Michael Koresky and Jeff Reichert and followed by a reception celebrating the 20th anniversary of Reverse Shot.

Celebrate the 60th anniversary of Rowlf's Jimmy Dean Show debut with a brand-new compilation of clips from the show, including some rare commercials featuring Jimmy and Rowlf; plus a special guest

Director Phil Morrison will appear in person Saturday 9/23 at 3:00 p.m. for a screening of this true American beauty, rich in character, complex in theme—one of the smartest and most moving domestic dramas of the century so far.

Assayas’s deeply personal family drama is one of the great films about the meaning and value of things, the inextricable bond of family, and the forward march of time.

Jalali’s Sundance standout, about a newly immigrated twentysomething from Afghanistan in the San Francisco Bay Area, has an exquisitely modulated tone all its own: somewhere between deadpan comedy and offhand sorrow. Screening 9/15–9/24.

In Andrés Rodríguez's auspicious debut, Hector returns to his village in the Guatemalan highlands after a long and difficult migration to the United States, coming home to a possessive mother, a distant wife, a son who doesn’t recognize him, and a community that pushes him out.

Endlessly regenerative auteur Oliviers Assayas's prescient fable about desire, vision, control.