Tut’s Fever Movie Palace
Tut’s Fever is a working movie theater and art installation created by Red Grooms and Lysiane Luong, an homage to the ornate, exotic picture palaces of the 1920s
You can buy admission tickets online. Pick a date and time to visit the Museum. Timed-entry slots are released generally one-month prior. All sales are final and payments cannot be refunded.
Tut’s Fever is a working movie theater and art installation created by Red Grooms and Lysiane Luong, an homage to the ornate, exotic picture palaces of the 1920s
The Museum's core exhibition immerses visitors in the creative and technical process of producing, promoting, and presenting films, television shows, and digital entertainment.
This dynamic experience explores Jim Henson’s groundbreaking work for film and television and his transformative impact on culture.
Refreshing the Loop continues Museum of the Moving Image’s tradition of displaying GIFs in our passenger elevator. This new iteration places artists who have been widely known for their GIFs for more than two decades in conversation with selected artists who have gained notable popularity in the last few years.
With material drawn from MoMI’s permanent collection, this exhibit explores the film’s production and makeup design, detailing how a stylish townhouse in Georgetown, Washington, D.C., and an innocent young girl were transformed into sites of horror.
Shot in the Roosevelt Ave/Jackson Heights station, this installation video captures the tide of New Yorkers streaming through an entrance to the subway system in what the filmmakers refer to as a “collective ballet.”
Eva Davidova’s participatory installation playfully incorporates both ancient myth and contemporary reality, highlighting the theme of interdependent responsibility in the wake of ecological disaster.
David Levine’s Dissolution is a jewel-box sculpture that conjures the past and future of the moving image. A 20-minute film played on a loop, it draws on the central conceit of iconic 1980s movies and TV shows such as Tron and Max Headroom: human characters who find themselves dematerialized and confined within the interior worlds of electronic devices.
On the occasion of Todd Haynes’s May December, MoMI presents an exhibit with materials from the archives of filmmaker Todd Haynes, now part of the Museum’s collection, offering a glimpse into his process of transforming historical and cultural referents into formally ambitious, richly emotional films.
The first major survey of the pioneering net-artist and sculptor Auriea Harvey features more than 40 of Harvey’s works from her career spanning nearly four decades. Extended through December 1, 2024!
Snubbed: Humphrey Bogart Dir. John Huston. 1941, U.S. 101 mins. 4K DCP. With Humphrey Bogart, Mary Astor, Sydney Greenstreet, Peter Lorre, Gladys George. Huston’s improbably accomplished first film, adapted from the novel by Dashiell Hammett, ...
Come hear artist David Levine, whose Dissolution is on display in our Amphitheater Gallery, talk with film critic Danielle Burgos and Curator of Science & Technology Sonia Epstein. Followed by a screening of 1992’s cyber-horror meltdown The Lawnmower Man.
The film gathered a strong cult following for its absolute weirdness and groundbreaking, if dated, visual effects, which include a full CGI human avatar, a cybersex scene, and depictions of a virtual reality world that influenced the look of future productions.
Snubbed: Robert Walker Dir. Alfred Hitchcock. 1951, U.S. 101 mins. DCP. With Robert Walker, Farley Granger, Ruth Roman, Pat Hitchcock, Leo G. Carroll. When wealthy Bruno Antony (Walker) meets handsome tennis star Guy Haines (Granger) ...
Paul Robeson's most iconic film, the big-screen adaptation of Eugene O’Neill’s play, was shot at the Astoria Studios. See the 35mm print from the Library of Congress on 2/3 and 2/4.
Join us for an afternoon of film, music, and refreshments presented by community partner Emerald Isle Immigration Center, in collaboration with Access Health NYC, NAIF Art Studio, and NYC Care, to embrace hope in the midst of winter.
Two strangers fall in love while consuming hallucinogenic worms together. Their psychotic bender takes them on a downward spiral through the back alleys of Chicago and into the primordial ooze. With writer-director Alex Phillips in person!
One of the most revered production designers in film, will discuss her remarkable career on 2/4 following a screening of a personal favorite, Six Degrees of Separation, based on John Guare’s play about a Manhattan socialite and a seductive con artist.
Snubbed: Humphrey Bogart Dir. John Huston. 1941, U.S. 101 mins. 4K DCP. With Humphrey Bogart, Mary Astor, Sydney Greenstreet, Peter Lorre, Gladys George. Huston’s improbably accomplished first film, adapted from the novel by Dashiell Hammett, ...
Paul Robeson's most iconic film, the big-screen adaptation of Eugene O’Neill’s play, was shot at the Astoria Studios. See the 35mm print from the Library of Congress on 2/3 and 2/4.
Snubbed: Robert Walker Dir. Alfred Hitchcock. 1951, U.S. 101 mins. DCP. With Robert Walker, Farley Granger, Ruth Roman, Pat Hitchcock, Leo G. Carroll. When wealthy Bruno Antony (Walker) meets handsome tennis star Guy Haines (Granger) ...
John Cassavetes's theater drama, starring a staggering Gena Rowlands, is one of cinema’s finest portrayals of aging, and a superb exploration of acting. See it 2/9 and 2/10.
Join MoMI on 2/10 for a special Valentine-themed event celebrating the 50th anniversary of The Muppet Show predecessor "The Muppets Valentine Show," featuring Mia Farrow. With Craig Shemin, Karen Falk and Rollie Krewson in person.
John Cassavetes's theater drama, starring a staggering Gena Rowlands, is one of cinema’s finest portrayals of aging, and a superb exploration of acting. See it 2/9 and 2/10.
This intimate and inspiring drama candidly takes us through the first three years of Hanan Harchol’s journey as a new inner-city public high school film teacher. Followed by a moderated panel discussion featuring leaders in the public school education field.
Prince's tongue-in-cheek musical drama about a piano bar gigolo in the French riviera who seduces and then falls for a caged-bird heiress was a box-office flop in its time but now appears as the most sheerly gorgeous of Prince's five films. Screening on 35mm 2/11 and 2/18.
Shot over six years, this documentary captures the radical transformation of “the Crossroads of the Universe” from a democratic, interracial home to free speech and free spirits into a sanitized, soulless corporate theme park.
The 2024 Oscar nominee Four Daughters is a compelling portrait of five women and an ambitious work of nonfiction cinema that pushes against the conventional boundaries of the documentary form. Director Kaouther Ben Hania in person on 2/15.
Join us for an exciting new weekend installation of playable video games created by the Creative Tech interns of Tech Kids Unlimited. In our Game Lab, visitors are invited to play various video games about climate change created by autistic game designers from TKU and displayed on arcades.
Jean-Luc Godard’s eccentric, wildly unconventional work of sci-fi film noir starring Eddie Constantine and Anna Karina screens 2/16.
Scorsese’s dark and brilliant ode to classic MGM musicals, starring a sensational Liza Minnelli and Robert De Niro, plays on 35mm February 18.
Artist Robert Longo’s singular vision meets Hollywood in this 1990s sci-fi, adapted from William Gibson’s story of the same name and set in a dystopian 2021.
Snubbed: River Phoenix Dir. Gus Van Sant. 1991, U.S. 102 mins. DCP. With River Phoenix, Keanu Reeves, William Richert, James Russo, Udo Kier. Phoenix had already received an Oscar nomination for Running on Empty, and ...
Join us for MoMI community partner The Afrikan Poetry Theatre's annual film festival in honor of Black History Month. Featuring a selection of vibrant new films, including a 45-minute short film program with a discussion followed by a screening of the musical documentary Garland Jeffreys: The King of In Between. Free with RSVP.
Snubbed: Charles Grodin Dir. Elaine May. 1972, U.S. 106 mins. 35mm print courtesy of the BFI National Archive. With Charles Grodin, Cybill Shepard, Jeannie Berlin, Eddie Albert, Audra Lindley. May’s gutsy anti-romantic comedy stars a ...
Prince's tongue-in-cheek musical drama about a piano bar gigolo in the French riviera who seduces and then falls for a caged-bird heiress was a box-office flop in its time but now appears as the most sheerly gorgeous of Prince's five films. Screening on 35mm 2/11 and 2/18.
Snubbed: River Phoenix Dir. Gus Van Sant. 1991, U.S. 102 mins. DCP. With River Phoenix, Keanu Reeves, William Richert, James Russo, Udo Kier. Phoenix had already received an Oscar nomination for Running on Empty, and ...
Scorsese’s dark and brilliant ode to classic MGM musicals, starring a sensational Liza Minnelli and Robert De Niro, plays on 35mm February 18.
The legendary animator Hayao Miyazaki returns after a decade’s hiatus with an extraordinary and eccentric tale of a young boy entering an alternate realm of existence to help change his real world. Screening February 19–23
The legendary animator Hayao Miyazaki returns after a decade’s hiatus with an extraordinary and eccentric tale of a young boy entering an alternate realm of existence to help change his real world. Screening February 19–23
The legendary animator Hayao Miyazaki returns after a decade’s hiatus with an extraordinary and eccentric tale of a young boy entering an alternate realm of existence to help change his real world. Screening February 19–23
The legendary animator Hayao Miyazaki returns after a decade’s hiatus with an extraordinary and eccentric tale of a young boy entering an alternate realm of existence to help change his real world. Screening February 19–23
The legendary animator Hayao Miyazaki returns after a decade’s hiatus with an extraordinary and eccentric tale of a young boy entering an alternate realm of existence to help change his real world. Screening February 19–23
Jonathan Demme's Stop Making Sense is considered by many critics the greatest concert film of all time.
Tarantino's brilliantly made, impossibly entertaining movie is one of his greatest achievements, starring a poignant, mesmerizing Pam Grier. See it on 35mm Friday 2/23 and Saturday 2/24.
This blockbuster adaptation of the hit 1960s television series gave Harrison Ford one of his greatest roles as Dr. Richard Kimble, a surgeon framed for the murder of his wife. Screening 2/24 and 2/25 on 35mm.
Jonathan Demme's Stop Making Sense is considered by many critics the greatest concert film of all time.
Jonathan Demme's Stop Making Sense is considered by many critics the greatest concert film of all time.
Snubbed: Jennifer Lopez and George Clooney Dir. Steven Soderbergh. 1998, U.S. 123 mins. 35mm. With George Clooney, Jennifer Lopez, Albert Brooks, Don Cheadle, Ving Rhames, Catherine Keener, Viola Davis. Soderbergh’s seductive and sleekly earthy adaptation ...
Jonathan Demme's Stop Making Sense is considered by many critics the greatest concert film of all time.
Tarantino's brilliantly made, impossibly entertaining movie is one of his greatest achievements, starring a poignant, mesmerizing Pam Grier. See it on 35mm Friday 2/23 and Saturday 2/24.
Snubbed: Jennifer Lopez and George Clooney Dir. Steven Soderbergh. 1998, U.S. 123 mins. 35mm. With George Clooney, Jennifer Lopez, Albert Brooks, Don Cheadle, Ving Rhames, Catherine Keener, Viola Davis. Soderbergh’s seductive and sleekly earthy adaptation ...
Jonathan Demme's Stop Making Sense is considered by many critics the greatest concert film of all time.
Jonathan Demme's Stop Making Sense is considered by many critics the greatest concert film of all time.
This blockbuster adaptation of the hit 1960s television series gave Harrison Ford one of his greatest roles as Dr. Richard Kimble, a surgeon framed for the murder of his wife. Screening 2/24 and 2/25 on 35mm.
Snubbed: Charles Grodin Dir. Elaine May. 1972, U.S. 106 mins. 35mm print courtesy of the BFI National Archive. With Charles Grodin, Cybill Shepard, Jeannie Berlin, Eddie Albert, Audra Lindley. May’s gutsy anti-romantic comedy stars a ...
Allen Riley's Videofreak reimagines the arcade game experience by emphasizing the art of video manipulation over traditional gameplay elements like scorekeeping and end goals.
Tide Predictor is LoVid’s first code-driven generative artwork, a departure from a majority of their catalog, which centers experimentation with actual analog video. It will be displayed on the Museum's Schlosser Media Wall in the lobby.
Scorsese’s sumptuous cinematic rendering of Edith Wharton’s novel about the social mores of turn-of-the-century New York, starring Michelle Pfeiffer and Daniel Day-Lewis, screens March 1 and 3.
Join Movie Trivia NYC at MoMI for an evening of Oscars trivia, featuring a guest round from Michael Koresky.
Jonathan Demme's Stop Making Sense is considered by many critics the greatest concert film of all time.
Fassbinder's vision of the future in 1970s aesthetics follows a cybernetics engineer Fred Stiller who is employed by Simulacron, a program that creates simulations of people who don’t know they are not flesh-and-blood in order to predict social, economic, and political events.
Terence Davies’s magnificent adaptation of Edith Wharton’s 1905 novel is a sumptuous triumph all around, yet its beating, battered heart belongs to Gillian Anderson, who miraculously evokes tragic heroine Lily Bart. Encore screening 3/22 on 35mm.
This Oscar-nominated film is based on Deborah Ellis’s novel about a young girl, Parvana, growing up under Taliban's Islamic Emirate of Afghanistan as the War on Terror begins. Followed by a panel discussion about representation of Muslims and Ramadan in film and media.
Join us for a community event from 1:00–5:00 p.m. on March 3, organized by Shireen Soliman and MoMI’s Neighborhood Council. Immerse yourself in the joyful spirit of Ramadan as we celebrate with a day of fun programming for all ages.
Scorsese’s sumptuous cinematic rendering of Edith Wharton’s novel about the social mores of turn-of-the-century New York, starring Michelle Pfeiffer and Daniel Day-Lewis, screens March 1 and 3.
Jonathan Demme's Stop Making Sense is considered by many critics the greatest concert film of all time.
Terence Davies’s magnificent adaptation of Edith Wharton’s 1905 novel is a sumptuous triumph all around, yet its beating, battered heart belongs to Gillian Anderson, who miraculously evokes tragic heroine Lily Bart. Encore screening 3/22 on 35mm.