Beau Is Afraid
Beau Is Afraid
Ari Aster joins us on January 3 for his most fully realized vision yet: a gonzo dark comedy that gets uncomfortably close to a man who's falling into a million pieces as he desperately tries to get back home.
You can buy admission tickets online. Pick a date and time to visit the Museum. Timed-entry slots are released generally one-month prior. All sales are final and payments cannot be refunded.
Ari Aster joins us on January 3 for his most fully realized vision yet: a gonzo dark comedy that gets uncomfortably close to a man who's falling into a million pieces as he desperately tries to get back home.
Christopher Nolan’s surprise box-office behemoth starring Cillian Murphy, the rare blockbuster devoted to psychological warfare and the weight of history, will be presented in 70mm.
Martin Scorsese’s first feature designed for family audiences is a love letter to the art form that uses the new technology of digital 3-D filmmaking to celebrate the birth of movies. See it in 3-D January 5–7. Author Brian Selznick, who wrote the book on which the film is based, will appear in person on January 5!
With director Justine Triet in person! Triet’s sly and formidable Palme d’Or winner takes the form of both courtroom procedural and marriage postmortem, with an astonishingly modulated performance at its center by the great Sandra Hüller.
Alexander Payne’s debut, starring Laura Dern as a poor, drug-addicted mother of four unable to care for her children who finds herself pregnant yet again, instantly announced a striking new dark-comic voice to American cinema.
Martin Scorsese’s first feature designed for family audiences is a love letter to the art form that uses the new technology of digital 3-D filmmaking to celebrate the birth of movies. See it in 3-D January 5–7. Author Brian Selznick, who wrote the book on which the film is based, will appear in person on January 5!
This poignant and incisive character study of an ordinary Midwestern businessman on a journey of self-discovery stars Jack Nicholson in one of his most purely touching performances.
There’s nothing quite like a movie by Aki Kaurismäki, who has been honing to perfection sweetly melancholic stories of lonely eccentrics for decades. His latest is one of his purest, sweetest doses.
Glazer has made a film about the Holocaust unlike any other, using obliqueness and the abstraction of terror to speak to the ways in which we all shield our eyes from evil.
Martin Scorsese’s first feature designed for family audiences is a love letter to the art form that uses the new technology of digital 3-D filmmaking to celebrate the birth of movies. See it in 3-D January 5–7. Author Brian Selznick, who wrote the book on which the film is based, will appear in person on January 5!
Dir. Alexander Payne. 2011, 115 mins. DCP. With George Clooney, Shailene Woodley, Judy Greer, Matthew Lillard, Robert Forster. Payne’s eagerly awaited follow-up to Sideways is a smart and moving dramatic comedy with a remarkable ensemble ...
Payne’s speculative science-fiction comedy is premised on a fascinating and plausible scientific theory: if we were all five inches tall, the world’s resources would go a long way.
The most riveting hour of television in 2023, “Connor’s Wedding” unfolds in what feels like real time. On January 7, Emmy Award–winning director Mark Mylod will appear in person to talk about this episode, which altered the course of the series.
Alexander Payne will appear in person with his acclaimed 1970s-set latest, a film of relatable melancholy and profoundly felt humanity, held together by a trio of superb actors, and destined to be a seasonal classic.
One of nonfiction legend Wiseman’s longest films is also his most delicious: a ruminative, satisfying peek into the workings of a three-star Michelin restaurant in rural France.
We’ll celebrate the 20th anniversary of the start of our screenings, with a special presentation of our very first compilation program, a journey from Jim Henson’s first show, Sam and Friends, to The Muppet Show, featuring material you won’t see anywhere else, including early TV appearances, commercials, and more.
David Fincher deconstructs the myth of the movie hit man with sardonic relish in this teasingly self-reflexive tour de force.
The latest film by Academy Award–nominated filmmaker Maite Alberdi witnesses the loving partnership of Augusto and Paulina, two public figures in their native Chile who’ve decided not to retreat into privacy when Augusto is diagnosed with Alzheimer’s disease. With director Alberdi in person.
Killers of the Flower Moon is a staggering, summative tale of American violence that finds Martin Scorsese at the height of his storytelling powers. On 1/13, the screening is followed by a Followed by a Q&A with editor Thelma Schoonmaker, executive producer Marianne Bower, and casting director Ellen Lewis.
With director Jason Kohn in person on 1/13! The latest narratively expansive, big-screen documentary from nonfiction virtuoso Kohn takes on the international, centuries-old, so-called “precious diamond” industrial complex.
We’ll celebrate the 20th anniversary of the start of our screenings, with a special presentation of our very first compilation program, a journey from Jim Henson’s first show, Sam and Friends, to The Muppet Show, featuring material you won’t see anywhere else, including early TV appearances, commercials, and more.
One of nonfiction legend Wiseman’s longest films is also his most delicious: a ruminative, satisfying peek into the workings of a three-star Michelin restaurant in rural France.
Join us Sunday, January 14, from 2 to 5 p.m., in celebrating the birthday of civil rights activist Dr. Martin Luther King, Jr. with a talk, tours, media-making activities, and more.
Financial problems force a 16-year-old girl who is deaf to leave her progressive Athens school and return to the island where her father lives with his second wife and her son. Once there, she discovers that she must contend with the prejudice and intolerance of her peers and neighbors.
An epicurean feast for the senses set in late nineteenth century that’s also a profoundly moving film about how we create meaning and sustain happiness, The Taste of Things, starring Juliette Binoche and Benoît Magimel was the deserved winner of the Best Director prize for Tran Anh Hung at the Cannes Film Festival.
On Martin Luther King Day, see the classic, Oscar-nominated archival documentary that follows MLK's rise from regional activist to world-renowned leader of the Civil Rights movement.
Join us January 15 for a members-only screening of experimental films, documentary shorts, and music videos directed by Museum of the Moving Image staff members.
Join Reverse Shot editors and critics for a live online event announcing Reverse Shot's Best of 2023 film list.
The Peasants was shot in live-action before being turned into painted animation by a group of 100+ painters over a period of more than two years.
We’ll celebrate the 20th anniversary of the start of our screenings, with a special presentation of our very first compilation program, a journey from Jim Henson’s first show, Sam and Friends, to The Muppet Show, featuring material you won’t see anywhere else, including early TV appearances, commercials, and more.
A mesmerizing fever dream of a movie, this compelling and moody masterpiece from Catalan filmmaker Alberto Serra is both drenched in atmosphere and provocative in its wide-ranging ideas about the legacies of the colonialist European mindset.
Hayao Miyazaki's pivotal early feature was released 40 years ago in Japan. See it 1/20 and 1/21.
Instructed by artist Pepita Sandwich, this workshop focuses on creating a digital animation short that involves the movement of a shape or object. Recommended for ages 15 and up.
The legendary animator Hayao Miyazaki returns after a decade’s hiatus with an extraordinary and eccentric tale of a young boy entering an alternate realm of existence to help change his real world.
In the marvelous breakthrough from Cambodian-French director Davy Chou, Ji-Min Park stars as an impulsive French woman in her twenties named Freddie, vacationing in South Korea; while there she decides on a whim to try and locate the birth parents she never knew.
Todd Haynes uses a potentially sensational subject to make vivid inquiries into American culture, with its obsessions with celebrity and scandal, and the precarious foundation of family itself. Production designer Sam Lisenco to appear in person!
Hayao Miyazaki's pivotal early feature was released 40 years ago in Japan. See it 1/20 and 1/21.
Wang Bing has been constructing epic documentary portraits of the economic condition of China throughout the volatile and transformative twenty-first century.
Anderson’s aesthetic control, rapturous beauty, and complex storytelling approach have never been more impressively wrought than in this wildly complex reimagination of the 1950s as a world of the mind.
The Grand Jury Prize winner at the 2023 Sundance Film Festival is a work of emotional complexity from one of the most exciting new American filmmakers in years.
The 8:00 p.m. Back Street screens as part of a double feature with Of Human Bondage (7:15 p.m.). Snubbed: Irene Dunne Dir. John M. Stahl. 1932, U.S. 93 mins. 4K DCP. With Irene Dunne, John Boles, George ...
Snubbed: Bette Davis Dir. John Cromwell. 1934, U.S. 83 mins. Digital projection. With Bette Davis, Leslie Howard, Frances Dee. Though it only took a portion of W. Somerset Maugham’s beloved 1915 best-selling novel, Cromwell’s vivid ...
American independent treasure Kelly Reichardt brings her unique brand of contemplative humanism to this observant portrait of artistic creation set in Portland, starring Michelle Williams and Hong Chau. Reichardt appears for a post-screening Q&A 1/26.
Snubbed: Irene Dunne Dir. John M. Stahl. 1932, U.S. 93 mins. 4K DCP. With Irene Dunne, John Boles, George Meeker, ZaSu Pitts, Jane Darwell. This formidable pre-Code tearjerker from melodrama titan Stahl has such a ...
Snubbed: Henry Fonda Dir. John Ford. 1939, U.S. 100 mins. DCP. With Henry Fonda, Alice Brady, Marjorie Weaver, Arleen Wheelan, Pauline Moore, Ward Bond. Among Oscar’s most inexplicable historical omissions is Fonda’s legendary performance as ...
This singular documentary invites viewers to witness flesh, viscera, and cavernous realms we may have never thought possible, allowing us to remain clinical yet awestruck by the wonders of our physicality. With Véréna Paravel and Lucien Castaing-Taylor in person 1/27.
Snubbed: James Cagney Dir. William A. Wellman. 1931, U.S. 83 mins. 35mm. With James Cagney, Jean Harlow, Edward Woods, Joan Blondell. Wellman’s quintessential pre-Code gangster melodrama, in which Tom Powers rises through the criminal underworld ...
Howard Hawks's brilliant, mile-a-minute classic screwball comedy His Girl Friday starring Rosalind Russell and Cary Grant screens on a 35mm print on 1/27 and 1/28.
The hallucinatory Dry Ground Burning boldly combines documentary footage and dramatized, performed narrative to create a portrait of a rough-and-raw alternate reality Brazil.
Snubbed: Henry Fonda Dir. John Ford. 1939, U.S. 100 mins. DCP. With Henry Fonda, Alice Brady, Marjorie Weaver, Arleen Wheelan, Pauline Moore, Ward Bond. Among Oscar’s most inexplicable historical omissions is Fonda’s legendary performance as ...
Howard Hawks's brilliant, mile-a-minute classic screwball comedy His Girl Friday starring Rosalind Russell and Cary Grant screens on a 35mm print on 1/27 and 1/28.
Snubbed: James Cagney Dir. William A. Wellman. 1931, U.S. 83 mins. 35mm. With James Cagney, Jean Harlow, Edward Woods, Joan Blondell. Wellman’s quintessential pre-Code gangster melodrama, in which Tom Powers rises through the criminal underworld ...
Yorgos Lanthimos's bold, intricately designed fairy tale, recapitulating and reimagining the Frankenstein myth as a story of feminist awakening, screens 1/28.
Snubbed: Humphrey Bogart Dir. John Huston. 1941, U.S. 101 mins. 4K DCP. With Humphrey Bogart, Mary Astor, Sydney Greenstreet, Peter Lorre, Gladys George. Huston’s improbably accomplished first film, adapted from the novel by Dashiell Hammett, ...
Come hear artist David Levine, whose Dissolution is on display in our Amphitheater Gallery, talk with film critic Danielle Burgos and Curator of Science & Technology Sonia Epstein. Followed by a screening of 1992’s cyber-horror meltdown The Lawnmower Man.
The film gathered a strong cult following for its absolute weirdness and groundbreaking, if dated, visual effects, which include a full CGI human avatar, a cybersex scene, and depictions of a virtual reality world that influenced the look of future productions.
Snubbed: Robert Walker Dir. Alfred Hitchcock. 1951, U.S. 101 mins. DCP. With Robert Walker, Farley Granger, Ruth Roman, Pat Hitchcock, Leo G. Carroll. When wealthy Bruno Antony (Walker) meets handsome tennis star Guy Haines (Granger) ...
Paul Robeson's most iconic film, the big-screen adaptation of Eugene O’Neill’s play, was shot at the Astoria Studios. See the 35mm print from the Library of Congress on 2/3 and 2/4.
Join us for an afternoon of film, music, and refreshments presented by community partner Emerald Isle Immigration Center, in collaboration with Access Health NYC, NAIF Art Studio, and NYC Care, to embrace hope in the midst of winter.
Two strangers fall in love while consuming hallucinogenic worms together. Their psychotic bender takes them on a downward spiral through the back alleys of Chicago and into the primordial ooze. With writer-director Alex Phillips in person!
One of the most revered production designers in film, will discuss her remarkable career on 2/4 following a screening of a personal favorite, Six Degrees of Separation, based on John Guare’s play about a Manhattan socialite and a seductive con artist.
Snubbed: Humphrey Bogart Dir. John Huston. 1941, U.S. 101 mins. 4K DCP. With Humphrey Bogart, Mary Astor, Sydney Greenstreet, Peter Lorre, Gladys George. Huston’s improbably accomplished first film, adapted from the novel by Dashiell Hammett, ...
Paul Robeson's most iconic film, the big-screen adaptation of Eugene O’Neill’s play, was shot at the Astoria Studios. See the 35mm print from the Library of Congress on 2/3 and 2/4.
Snubbed: Robert Walker Dir. Alfred Hitchcock. 1951, U.S. 101 mins. DCP. With Robert Walker, Farley Granger, Ruth Roman, Pat Hitchcock, Leo G. Carroll. When wealthy Bruno Antony (Walker) meets handsome tennis star Guy Haines (Granger) ...