Search Museum of the Moving Image

Please note: the Museum will be open 12:00 p.m.–6:00 p.m. on Jan 20, Martin Luther King Day.

CALENDAR

Behind the Screen - Tut's

GENERAL ADMISSION

You can buy admission tickets online. Pick a date and time to visit the Museum. Timed-entry slots are released generally one-month prior. All sales are final and payments cannot be refunded.

Filters

Changing any of the form inputs will cause the list of events to refresh with the filtered results.

Recurring

Hard, Fast and Beautiful

Trailblazer Ida Lupino’s fourth film as a director stars Trevor as Millie Farley, a manipulative, parasitic mother to Forrest’s Florence, a burgeoning tennis star. Features stirring tennis action largely filmed on location at Forest Hills Stadium, former home of the U.S. Open.

Recurring

Any Given Sunday

Oliver Stone brings his one-of-a-kind talent for capturing beauty amid chaos to this portrait of the suffering, pride, and grit of professional football and the equally cutthroat nature of its business.

A Haunting in Venice

Set in eerie, post-World War II Venice on All Hallows’ Eve, A Haunting in Venice is a terrifying mystery featuring the return of the celebrated sleuth Hercule Poirot. Special advance screening 9/13.

Recurring

Inside Out

Pixar's Oscar-winning animated feature vividly imagines five emotions as its main characters, vying for equilibrium inside the mind of an 11-year-old girl.

Recurring

Elementary Triptych of Spain

The films that comprise José Val del Omar’s Elementary Triptych of Spain (1953–1995) are audiovisual poems of the senses; these encore screenings will take place in the Bartos Screening Room on DCP. 

Recurring

Fremont

Jalali’s Sundance standout, about a newly immigrated twentysomething from Afghanistan in the San Francisco Bay Area, has an exquisitely modulated tone all its own: somewhere between deadpan comedy and offhand sorrow. Screening 9/15–9/24.

Janie Geiser Program 2: Time, a substance

This program, titled after a phrase from Marianne Moore’s poem “Black Earth,” includes several films that were made during the intense first years of the pandemic. The films evoke a sense of suspended time and the liminal space between life and death. With Janie Geiser in person!

Recurring

Fremont

Jalali’s Sundance standout, about a newly immigrated twentysomething from Afghanistan in the San Francisco Bay Area, has an exquisitely modulated tone all its own: somewhere between deadpan comedy and offhand sorrow. Screening 9/15–9/24.

Recurring

Lost in Translation

On 9/16 and 9/30, see a special 35mm twentieth-anniversary screening of Sofia Coppola’s confident second film about an aging movie star (Bill Murray) and a newly married twenty-something (Scarlett Johansson in her breakout performance), who meet at a lofty hotel bar in Tokyo.

Janie Geiser Program 3: Double Vision

This series includes eight films made between 2013 and 2018 that investigate the photographic image. Found thrift store images and rediscovered family photographs are forensically examined, reimagined, reframed, unmoored, and re-revealed in all of their documentary truth and fiction. With Janie Geiser in person!