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An elderly man with a long white beard and wearing a floppy hat looks off-screen

Beau Is Afraid

Director in Person

Ari Aster joins us on January 3 for his most fully realized vision yet: a gonzo dark comedy that gets uncomfortably close to a man who's falling into a million pieces as he desperately tries to get back home.

A man in a suit and fedora stands next to a man in military uniform against a vast desert background
Recurring

Oppenheimer in 70mm

Christopher Nolan’s surprise box-office behemoth starring Cillian Murphy, the rare blockbuster devoted to psychological warfare and the weight of history, will be presented in 70mm.

Two children look at a screen in a movie theater with the projector light beam behind them.
Recurring

Hugo in 3-D

Martin Scorsese’s first feature designed for family audiences is a love letter to the art form that uses the new technology of digital 3-D filmmaking to celebrate the birth of movies. See it in 3-D January 5–7. Author Brian Selznick, who wrote the book on which the film is based, will appear in person on January 5!

A man and woman stand with a snowy mountain backdrop, she faces forward hm backward

Anatomy of a Fall

Director in Person

With director Justine Triet in person! Triet’s sly and formidable Palme d’Or winner takes the form of both courtroom procedural and marriage postmortem, with an astonishingly modulated performance at its center by the great Sandra Hüller.

A woman stares slackjawed into the camera, crouching on the floor at TV level, with other women behind her standing also in shock

Citizen Ruth

Alexander Payne’s debut, starring Laura Dern as a poor, drug-addicted mother of four unable to care for her children who finds herself pregnant yet again, instantly announced a striking new dark-comic voice to American cinema.

A man holds back a young woman as she aggressively points at someone off screen with a mean look on her face

Election

Classically structured, insightful, merciless, and jam-packed with finely tuned characters, Election remains one of Alexander Payne’s purest and funniest commentaries on human fallibility. 

Two children look at a screen in a movie theater with the projector light beam behind them.
Recurring

Hugo in 3-D

Martin Scorsese’s first feature designed for family audiences is a love letter to the art form that uses the new technology of digital 3-D filmmaking to celebrate the birth of movies. See it in 3-D January 5–7. Author Brian Selznick, who wrote the book on which the film is based, will appear in person on January 5!

A man sits in a near empty, blank office looking up to the ceiling; his desk is bare except for a telephone, briefcase, and empty metal tray. Behind him are file boxes piled neatly.

About Schmidt

This poignant and incisive character study of an ordinary Midwestern businessman on a journey of self-discovery stars Jack Nicholson in one of his most purely touching performances.

A man and woman sit at a table with flowers on it having dinner and facing each other

Fallen Leaves

There’s nothing quite like a movie by Aki Kaurismäki, who has been honing to perfection sweetly melancholic stories of lonely eccentrics for decades. His latest is one of his purest, sweetest doses.

A group of people, children and adults, in bathing suits by a beautiful idyllic lake, sitting in the grass

The Zone of Interest

Glazer has made a film about the Holocaust unlike any other, using obliqueness and the abstraction of terror to speak to the ways in which we all shield our eyes from evil.

Two men and two women sit in a sun-dappled field, having a picnic and toasting with wine glasses

Sideways

Packed in equal measure with brilliant comic set pieces and wistful dialogues between people desperate for connection, Alexander Payne's Sideways remains one of the 21st century’s most gratifying surprise hits. Screening 1/6 on 35mm.

Two children look at a screen in a movie theater with the projector light beam behind them.
Recurring

Hugo in 3-D

Martin Scorsese’s first feature designed for family audiences is a love letter to the art form that uses the new technology of digital 3-D filmmaking to celebrate the birth of movies. See it in 3-D January 5–7. Author Brian Selznick, who wrote the book on which the film is based, will appear in person on January 5!