Inside Out
Pixar's Oscar-winning animated feature vividly imagines five emotions as its main characters, vying for equilibrium inside the mind of an 11-year-old girl.
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Pixar's Oscar-winning animated feature vividly imagines five emotions as its main characters, vying for equilibrium inside the mind of an 11-year-old girl.
Spike Lee's thrillingly made psychological diagnosis of both a man and a city was the first major movie to acknowledge the September 11th attacks. Screening September 9 and 10.
As a tribute to Sinéad O'Connor, see this richly cinematic portrait of this fearless trailblazer through a contemporary feminist lens on 9/3 and 9/10.
Trailblazer Ida Lupino’s fourth film as a director stars Trevor as Millie Farley, a manipulative, parasitic mother to Forrest’s Florence, a burgeoning tennis star. Features stirring tennis action largely filmed on location at Forest Hills Stadium, former home of the U.S. Open.
Oliver Stone brings his one-of-a-kind talent for capturing beauty amid chaos to this portrait of the suffering, pride, and grit of professional football and the equally cutthroat nature of its business.
Set in eerie, post-World War II Venice on All Hallows’ Eve, A Haunting in Venice is a terrifying mystery featuring the return of the celebrated sleuth Hercule Poirot. Special advance screening 9/13.
Pixar's Oscar-winning animated feature vividly imagines five emotions as its main characters, vying for equilibrium inside the mind of an 11-year-old girl.
The films that comprise José Val del Omar’s Elementary Triptych of Spain (1953–1995) are audiovisual poems of the senses; these encore screenings will take place in the Bartos Screening Room on DCP.
This program features Janie Geiser's series of five collage-based films made of found and natural objects, medical illustrations, photographs, extant footage, and other elements. Plus two of her most acclaimed short films. With Janie Geiser in person!
Jalali’s Sundance standout, about a newly immigrated twentysomething from Afghanistan in the San Francisco Bay Area, has an exquisitely modulated tone all its own: somewhere between deadpan comedy and offhand sorrow. Screening 9/15–9/24.
This program, titled after a phrase from Marianne Moore’s poem “Black Earth,” includes several films that were made during the intense first years of the pandemic. The films evoke a sense of suspended time and the liminal space between life and death. With Janie Geiser in person!
See one of cinema’s grandest and most powerful antiwar statements, starring Rudolph Valentino, with live piano accompaniment by Makia Matsumura on Sunday, 9/17.