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Behind the Screen - Tut's

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You can buy admission tickets online. Pick a date and time to visit the Museum. Timed-entry slots are released generally one-month prior. All sales are final and payments cannot be refunded.

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Recurring

Inside Out

Pixar's Oscar-winning animated feature vividly imagines five emotions as its main characters, vying for equilibrium inside the mind of an 11-year-old girl.

Recurring

25th Hour

Spike Lee's thrillingly made psychological diagnosis of both a man and a city was the first major movie to acknowledge the September 11th attacks. Screening September 9 and 10.

Recurring

Nothing Compares

As a tribute to Sinéad O'Connor, see this richly cinematic portrait of this fearless trailblazer through a contemporary feminist lens on 9/3 and 9/10.

Recurring

Hard, Fast and Beautiful

Trailblazer Ida Lupino’s fourth film as a director stars Trevor as Millie Farley, a manipulative, parasitic mother to Forrest’s Florence, a burgeoning tennis star. Features stirring tennis action largely filmed on location at Forest Hills Stadium, former home of the U.S. Open.

Recurring

Any Given Sunday

Oliver Stone brings his one-of-a-kind talent for capturing beauty amid chaos to this portrait of the suffering, pride, and grit of professional football and the equally cutthroat nature of its business.

A Haunting in Venice

Set in eerie, post-World War II Venice on All Hallows’ Eve, A Haunting in Venice is a terrifying mystery featuring the return of the celebrated sleuth Hercule Poirot. Special advance screening 9/13.

Recurring

Inside Out

Pixar's Oscar-winning animated feature vividly imagines five emotions as its main characters, vying for equilibrium inside the mind of an 11-year-old girl.

Recurring

Elementary Triptych of Spain

The films that comprise José Val del Omar’s Elementary Triptych of Spain (1953–1995) are audiovisual poems of the senses; these encore screenings will take place in the Bartos Screening Room on DCP. 

Recurring

Fremont

Jalali’s Sundance standout, about a newly immigrated twentysomething from Afghanistan in the San Francisco Bay Area, has an exquisitely modulated tone all its own: somewhere between deadpan comedy and offhand sorrow. Screening 9/15–9/24.

Janie Geiser Program 2: Time, a substance

This program, titled after a phrase from Marianne Moore’s poem “Black Earth,” includes several films that were made during the intense first years of the pandemic. The films evoke a sense of suspended time and the liminal space between life and death. With Janie Geiser in person!