Tut’s Fever Movie Palace
Tut’s Fever is a working movie theater and art installation created by Red Grooms and Lysiane Luong, an homage to the ornate, exotic picture palaces of the 1920s
CALENDAR
GENERAL ADMISSION
You can buy admission tickets online. Pick a date and time to visit the Museum. Timed-entry slots are released generally one-month prior. All sales are final and payments cannot be refunded.
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Behind the Screen
Museum of the Moving ImageThe Museum's core exhibition immerses visitors in the creative and technical process of producing, promoting, and presenting films, television shows, and digital entertainment.
The Jim Henson Exhibition
Museum of the Moving ImageThis dynamic experience explores Jim Henson’s groundbreaking work for film and television and his transformative impact on culture.
Refreshing the Loop
Refreshing the Loop continues Museum of the Moving Image’s tradition of displaying GIFs in our passenger elevator. This new iteration places artists who have been widely known for their GIFs for more than two decades in conversation with selected artists who have gained notable popularity in the last few years.
Horrible Sites: Makeup and Production Design for The Exorcist
With material drawn from MoMI’s permanent collection, this exhibit explores the film’s production and makeup design, detailing how a stylish townhouse in Georgetown, Washington, D.C., and an innocent young girl were transformed into sites of horror.
Mr. Yellow Sweatshirt
Shot in the Roosevelt Ave/Jackson Heights station, this installation video captures the tide of New Yorkers streaming through an entrance to the subway system in what the filmmakers refer to as a “collective ballet.”
GLOBAL MODE >
Eva Davidova’s participatory installation playfully incorporates both ancient myth and contemporary reality, highlighting the theme of interdependent responsibility in the wake of ecological disaster.
Dissolution
David Levine’s Dissolution is a jewel-box sculpture that conjures the past and future of the moving image. A 20-minute film played on a loop, it draws on the central conceit of iconic 1980s movies and TV shows such as Tron and Max Headroom: human characters who find themselves dematerialized and confined within the interior worlds of electronic devices.
Batman: Mask of the Phantasm
Perhaps the most faithful transposition of the Batman character from comic book to film, this animated film from 1993 screens on 35mm 10/28, 10/29, and 11/3.
Next Time We Love
In his first starring role, James Stewart plays a New York reporter separated from his wife (Margaret Sullavan) when he’s posted to Rome and she refuses to give up her acting career. Marsha Gordon will sign copies of her book Becoming the Ex-Wife: The Unconventional Life & Forgotten Writings of Ursula Parrott, after the October 28 screening.
1974: The Possession of Altair
First-time filmmaker Victor Dryere utilizes analog technology and the gimmick of found-footage horror to create warm, foggy imagery that expertly shocks and scares.
The Village
M. Night Shyamalan's most conceptually complex, intricately patterned film, a Bush-era political allegory that evokes the literature of Hawthorne and Irving in its deeply American fears of the unknown, screens on 35mm 10/21 and 10/28.