Tut’s Fever Movie Palace
Tut’s Fever is a working movie theater and art installation created by Red Grooms and Lysiane Luong, an homage to the ornate, exotic picture palaces of the 1920s
You can buy admission tickets online. Pick a date and time to visit the Museum. Timed-entry slots are released generally one-month prior. All sales are final and payments cannot be refunded.
Tut’s Fever is a working movie theater and art installation created by Red Grooms and Lysiane Luong, an homage to the ornate, exotic picture palaces of the 1920s
The Museum's core exhibition immerses visitors in the creative and technical process of producing, promoting, and presenting films, television shows, and digital entertainment.
This dynamic experience explores Jim Henson’s groundbreaking work for film and television and his transformative impact on culture.
This exhibition explores the process of designing the fantastical characters for the Netflix series prequel to the 1982 film.
This major exhibition brings the immersive, multisensory cinematic installations of visionary Spanish artist, filmmaker, and inventor José Val del Omar (1904–1982) to U.S. audiences for the first time, along with commissioned pieces by contemporary artists Sally Golding, Matt Spendlove, and Tim Cowlishaw; Duo Prismáticas; Esperanza Collado; and Colectivo Los Ingrávidos.
Refreshing the Loop continues Museum of the Moving Image’s tradition of displaying GIFs in our passenger elevator. This new iteration places artists who have been widely known for their GIFs for more than two decades in conversation with selected artists who have gained notable popularity in the last few years.
Celebrate the 60th anniversary of Rowlf's Jimmy Dean Show debut with a brand-new compilation of clips from the show, including some rare commercials featuring Jimmy and Rowlf; plus a special guest
Director Phil Morrison will appear in person Saturday 9/23 at 3:00 p.m. for a screening of this true American beauty, rich in character, complex in theme—one of the smartest and most moving domestic dramas of the century so far.
Assayas’s deeply personal family drama is one of the great films about the meaning and value of things, the inextricable bond of family, and the forward march of time.
Jalali’s Sundance standout, about a newly immigrated twentysomething from Afghanistan in the San Francisco Bay Area, has an exquisitely modulated tone all its own: somewhere between deadpan comedy and offhand sorrow. Screening 9/15–9/24.
In Andrés Rodríguez's auspicious debut, Hector returns to his village in the Guatemalan highlands after a long and difficult migration to the United States, coming home to a possessive mother, a distant wife, a son who doesn’t recognize him, and a community that pushes him out.
Endlessly regenerative auteur Oliviers Assayas's prescient fable about desire, vision, control.