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Behind the Screen - Tut's

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In a boardroom, five people, including a man with his eyes closed at the head of the table, hold hands and pray.

On Cinema at the Cinema (Season 11)

For the first time, seasons 1 through 11 of On Cinema at the Cinema will be presented theatrically in their entirety, in a string of marathon viewing sessions.

Recurring

The King and I

One of Rita Moreno's most memorable roles was in Walter Lang’s classic adaptation of the Rodgers and Hammerstein musical.

Two women on a bed with collage cutouts on the walls behind them
Recurring

Daisies

Czech New Wave legend Vera Chytilová’s sublimely anything-goes explosion of cinema is a great feminist work.

A man and woman stand outside on a dark street, not quite looking at each other.

Carnal Knowledge + The Ritz

A double feature of 1970s films featuring Rita Moreno, including Mike Nichols's controversial adult drama and Richard Lester's wild comedy.

Two figures silhouetted standing on a rowboat in front of a red mist, with a gigantic cloud shaped like a brain in the distance.
Recurring

The Forbidden Room

Guy Maddin's ultimate tribute to cinema and cinephilia, a Russian-nesting doll of a film with multiple plots, evoking a wide range of movies from the past.

A group of six adult friends line up in front of a brightly colored autumn tree.

The Four Seasons

Alan Alda’s directorial debut, featuring Rita Moreno, Carol Burnett, and Sandy Dennis, was a critical and box-office sleeper hit.

Two women sit at an outdoor table, eating and talking.

Casa de los Babys

Remarkable for being one of the first films in which Rita Moreno plays a Spanish-speaking character, John Sayles’s film looks at an underexplored aspect of modern life.

An androgynous English poet of the Elizabethan era stands in a dark room full of lit candles.
Recurring

Orlando

Sally Potter sumptuous, lavish triumph adapts Virginia Woolf’s seemingly unadaptable 1928 modernist novel about an Elizabethan poet who lives for centuries as both a man and a woman.

A husband and wife hold their two kids as they sit on the New York City subway

I Like It Like That

Darnell Martin was the first African American woman to direct a studio-produced film, which pulses with the rhythm of the Bronx.

A young boy in a Catholic choirboy frock looks down at camera from a low angle.

Procession

Six midwestern men—all survivors of childhood sexual assault at the hands of Catholic priests and clergy—come together to work through their trauma.