Tut’s Fever Movie Palace
Tut’s Fever is a working movie theater and art installation created by Red Grooms and Lysiane Luong, an homage to the ornate, exotic picture palaces of the 1920s
You can buy admission tickets online. Pick a date and time to visit the Museum. Timed-entry slots are released generally one-month prior. All sales are final and payments cannot be refunded.
Tut’s Fever is a working movie theater and art installation created by Red Grooms and Lysiane Luong, an homage to the ornate, exotic picture palaces of the 1920s
The Museum's core exhibition immerses visitors in the creative and technical process of producing, promoting, and presenting films, television shows, and digital entertainment.
This dynamic experience explores Jim Henson’s groundbreaking work for film and television and his transformative impact on culture.
With material drawn from MoMI’s permanent collection, this exhibit explores the film’s production and makeup design, detailing how a stylish townhouse in Georgetown, Washington, D.C., and an innocent young girl were transformed into sites of horror.
On the occasion of Todd Haynes’s May December, MoMI presents an exhibit with materials from the archives of filmmaker Todd Haynes, now part of the Museum’s collection, offering a glimpse into his process of transforming historical and cultural referents into formally ambitious, richly emotional films.
This exhibition features videos and artifacts from skate culture’s formative years, with a focus on releases by H-Street, Plan B, World Industries, Girl, and others that defined the modern skate video genre.
Waxwing subverts the traditional light gun, a device that allows players to aim and shoot at targets on a video game screen, by reimagining it as a literal source of light, shifting the focus from violence to an exploration of aspirations and the human condition.
For MoMI’s Community Curation initiative, a committee of ten curators and collectors nominated a shortlist of boundary-pushing artists for display on the Museum’s Herbert S. Schlosser Media Wall. These artists’ works reflect how personal and cultural histories shape artistic practice.
The interactive animation section of the Museum’s core exhibition features a special focus on stop-motion-animation director Adam Elliot’s Academy Award–nominated film Memoir of a Snail.
A tale of friendship between two unlikely pen pals—Mary, a lonely, eight-year-old girl living in the suburbs of Melbourne, and Max, a severely obese 44-year-old man living in New York—blossoms in this beautifully animated, acclaimed comic drama. With director Adam Elliot in person!
Evil Does Not Exist slowly but surely transforms into a fable on man’s uneasy, symbiotic relationship to nature, buoyed by Ryusuke Hamaguchi’s singularly patient yet lucid storytelling.
This program presents New York City as it’s featured in documentary and experimental remix films. The artists represented in this screening pick up and disturb iconic TV clips, touristic images, video game simulations, and canonical films set in the city.
The magnificent Marianne Jean-Baptiste, reunited with the towering British director Mike Leigh for the first time since her Oscar-nominated performance in Secrets and Lies, gives a scalding performance in Hard Truths that won’t soon be forgotten.
Rooted in experimental cinema, the essay film, and documentary traditions, these makers challenge and play with our understanding of audiovisual media and the environments in which we use and experience them.
Carpenter’s terrifying marvel follows a group of scientists, trapped in a remote Antarctic outpost, who are beset by a shape-shifting extraterrestrial force that is able to enter anyone’s body undetected. Screening 1/4 and 1/5.