Tut’s Fever Movie Palace
Tut’s Fever is a working movie theater and art installation created by Red Grooms and Lysiane Luong, an homage to the ornate, exotic picture palaces of the 1920s
You can buy admission tickets online. Pick a date and time to visit the Museum. Timed-entry slots are released generally one-month prior. All sales are final and payments cannot be refunded.
Tut’s Fever is a working movie theater and art installation created by Red Grooms and Lysiane Luong, an homage to the ornate, exotic picture palaces of the 1920s
The Museum's core exhibition immerses visitors in the creative and technical process of producing, promoting, and presenting films, television shows, and digital entertainment.
This dynamic experience explores Jim Henson’s groundbreaking work for film and television and his transformative impact on culture.
Refreshing the Loop continues Museum of the Moving Image’s tradition of displaying GIFs in our passenger elevator. This new iteration places artists who have been widely known for their GIFs for more than two decades in conversation with selected artists who have gained notable popularity in the last few years.
With material drawn from MoMI’s permanent collection, this exhibit explores the film’s production and makeup design, detailing how a stylish townhouse in Georgetown, Washington, D.C., and an innocent young girl were transformed into sites of horror.
Shot in the Roosevelt Ave/Jackson Heights station, this installation video captures the tide of New Yorkers streaming through an entrance to the subway system in what the filmmakers refer to as a “collective ballet.”
Eva Davidova’s participatory installation playfully incorporates both ancient myth and contemporary reality, highlighting the theme of interdependent responsibility in the wake of ecological disaster.
David Levine’s Dissolution is a jewel-box sculpture that conjures the past and future of the moving image. A 20-minute film played on a loop, it draws on the central conceit of iconic 1980s movies and TV shows such as Tron and Max Headroom: human characters who find themselves dematerialized and confined within the interior worlds of electronic devices.
On the occasion of Todd Haynes’s May December, MoMI presents an exhibit with materials from the archives of filmmaker Todd Haynes, now part of the Museum’s collection, offering a glimpse into his process of transforming historical and cultural referents into formally ambitious, richly emotional films.
The first major survey of the pioneering net-artist and sculptor Auriea Harvey features more than 40 of Harvey’s works from her career spanning nearly four decades. Extended through December 1, 2024!
Offered the first Saturday of each month (June 2023–May 2024), free Access Mornings at MoMI are dedicated to families with children on the autism spectrum and give families an exclusive opportunity to explore exhibitions and ...
Snubbed: Robert Walker Dir. Alfred Hitchcock. 1951, U.S. 101 mins. DCP. With Robert Walker, Farley Granger, Ruth Roman, Pat Hitchcock, Leo G. Carroll. When wealthy Bruno Antony (Walker) meets handsome tennis star Guy Haines (Granger) ...
Paul Robeson's most iconic film, the big-screen adaptation of Eugene O’Neill’s play, was shot at the Astoria Studios. See the 35mm print from the Library of Congress on 2/3 and 2/4.
Snubbed: Anthony Perkins Dir. Alfred Hitchcock. 1960, U.S. 109 mins. 4K DCP. With Anthony Perkins, Janet Leigh, Vera Miles, John Gavin, Martin Balsam. Hitchcock’s epochal film fragmented and reconstituted the horror genre forever after, thrilling ...
Join us for an afternoon of film, music, and refreshments presented by community partner Emerald Isle Immigration Center, in collaboration with Access Health NYC, NAIF Art Studio, and NYC Care, to embrace hope in the midst of winter.
Snubbed: Al Pacino Dir. Brian De Palma. 1983, U.S. 180 mins. 4K DCP. With Al Pacino, Michelle Pfeiffer, Steven Bauer, F. Murray Abraham, Mary Elizabeth Mastrantonio, Robert Loggia. Pacino’s performance in Scarface has since become ...
Two strangers fall in love while consuming hallucinogenic worms together. Their psychotic bender takes them on a downward spiral through the back alleys of Chicago and into the primordial ooze. With writer-director Alex Phillips in person!