Tut’s Fever Movie Palace
Tut’s Fever is a working movie theater and art installation created by Red Grooms and Lysiane Luong, an homage to the ornate, exotic picture palaces of the 1920s
You can buy admission tickets online. Pick a date and time to visit the Museum. Timed-entry slots are released generally one-month prior. All sales are final and payments cannot be refunded.
Tut’s Fever is a working movie theater and art installation created by Red Grooms and Lysiane Luong, an homage to the ornate, exotic picture palaces of the 1920s
The Museum's core exhibition immerses visitors in the creative and technical process of producing, promoting, and presenting films, television shows, and digital entertainment.
This dynamic experience explores Jim Henson’s groundbreaking work for film and television and his transformative impact on culture.
Refreshing the Loop continues Museum of the Moving Image’s tradition of displaying GIFs in our passenger elevator. This new iteration places artists who have been widely known for their GIFs for more than two decades in conversation with selected artists who have gained notable popularity in the last few years.
With material drawn from MoMI’s permanent collection, this exhibit explores the film’s production and makeup design, detailing how a stylish townhouse in Georgetown, Washington, D.C., and an innocent young girl were transformed into sites of horror.
Shot in the Roosevelt Ave/Jackson Heights station, this installation video captures the tide of New Yorkers streaming through an entrance to the subway system in what the filmmakers refer to as a “collective ballet.”
Eva Davidova’s participatory installation playfully incorporates both ancient myth and contemporary reality, highlighting the theme of interdependent responsibility in the wake of ecological disaster.
David Levine’s Dissolution is a jewel-box sculpture that conjures the past and future of the moving image. A 20-minute film played on a loop, it draws on the central conceit of iconic 1980s movies and TV shows such as Tron and Max Headroom: human characters who find themselves dematerialized and confined within the interior worlds of electronic devices.
On the occasion of Todd Haynes’s May December, MoMI presents an exhibit with materials from the archives of filmmaker Todd Haynes, now part of the Museum’s collection, offering a glimpse into his process of transforming historical and cultural referents into formally ambitious, richly emotional films.
Haynes’s spectacular and ambitious musical, screening 12/9 and 12/17, charts the rise of glam rock and the star who was the movement’s brightest flame, functioning as both history and dream.
This remarkable cinema vérité documentary captures an important moment in the social turmoil and protests that swept Europe in the spring of 1968. The 12/17 screening will be introduced by Ambassador Andreas von Uexküll, Deputy Permanent Representative of Sweden to the United Nations.
A dour pair of traveling salesmen who sell plastic fangs and other novelty items are the main recurring characters in the mesmerizing finale to Roy Andersson’s “Being Human” trilogy, screening 12/17 and 12/31.
Todd Haynes’s kaleidoscopic portrait of the seminal sixties rock group The Velvet Underground explodes the music documentary form. Screens 12/9 and 12/17.
The director and editor of the year's hit heartrending modern romance will join us on 12/17 for a screening and Q&A as part of our ongoing Art & Craft series.
About Endlessness is (ironically, for the title) the director’s shortest, most distilled film, with memorable images including a couple floating over a war-torn city. Preceded by a public-service short film about the AIDS crisis, made in Andersson’s signature style.